Adopting the approach of most movies made about the life of the notorious pleasure seeker, Lasse Hallström’s Casanova isn’t a biography but a free-form embellishment. It treats Casanova as a legend, a symbol—like Zorro.
In Oscar nominee Crash, writer-director Paul Haggis examines the U.S. racial divide in a series of interconnected short dramas that reach a powerful conclusion. It is a painful film to watch because Haggis offers no comfortable side with which the viewer can identify—until, that is, a conclusion provides a note of grace-filled hope. The racial bias of both black and white characters is exposed, leaving everyone culpable. As in many Krzysztof Kieslowski films, there are moments that suggest a transcendent hand is at work.
After the world premiere of Brokeback Mountain at the Venice Film Festival, where it won the award for Best Picture, the publicity machines began referring to it as “the gay cowboy movie.” That tag line changed once people got a chance to see the film. Now it is being called one of the best love stories Hollywood has turned out in a long while.
It was not meant as exclusionary, the way the boy laid his arm along the pew, not touching her back but cupping the bowl of his hand over the girl’s shoulder, exactly the way his father encircled his mother in decorous Sunday embrace.
Near in age and adoring, his forsaken younger sister saw the story of all Eve’s children, an enacted parable of man leaving father and mother to cling to wife, heard Scylla and Charybdis’ seductive hymn, felt the tension of two great loves, perceived in a piercing moment ties tighter than the bonds of blood.
If you grew up on C. S. Lewis’s Narnia books, you won’t be disappointed in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, the first in a projected series. It’s visually rich and imaginative, and emotionally stirring.
When Mary Magdalene said she’d seen the Lord it was strangely disappointing One of the worst women saved from the street to have been first I knew it must be true that’s just what he would do but then when I was the only one to fight fear & search for myself the others lagging behind it was like the soldier’s spear went right through me too when I returned to hear the others bragging (that was the worst) that I was the only one not to have been there not to have seen where his hands were pierced I went into denial I won’t believe I said Anything less than my fingers in his wounds won’t be enough My words sounded odd to my ears A week later I was among them when he appeared & called my bluff My Lord & my God Conviction rolled off my tongue
HoneyMaid, maker of graham crackers, received many negative responses to its “This is wholesome” ad featuring a same-sex couple. Rather than backing down or counterattacking, HoneyMaid printed all the negative comments and had a collage made from them spelling the word love. Cheerios likewise doubled down when it received negative feedback to its ad featuring a mixed-race couple with a cute daughter. Cheerios ran a sequel to it during the Super Bowl (Washington Post, April 4).