When it was announced that Oliver Stone would be directing a film about the downing of the twin towers on 9/11, there was a collective gasp. Would Stone focus on one of the many conspiracy theories about the disaster, as he did in JFK? Would he transform the story into a mythical tale of good versus evil, as in Platoon?
Emotionally complicated and deeply compassionate, Heading South, by the French director Laurent Cantet, approaches a delicate subject—sex tourism in Haiti in the late 1970s—with a mixture of frankness and tenderness. The frankness is in the treatment of the sexual relationships that the middle-aged women (mostly from the U.S.
There are a priori reasons to dislike Superman Returns. Superman is always a little campy in his tights and red Underoos. And how can the film measure up to such cool and thoughtful superfare as X-Men or Spider-Man? Improved computer graphics and younger, handsomer heroes do not a great superhero film make.
A curving trail—the callused field obscures it until we shovel out the clotted brick, lug a ton or two of sand to fit trenches, level rumpled earth, correct courses. A mallet stuns a thumb, new blisters bud as self-impressed we shout, “This row is done!” but then a kid names names, prefers George Toad, Kate Cricket, slaps William Mosquito, pats Barkly, unleashed, our best company. We rest and share cold drinks. David brings homemade muffins, burned, blueberry plenty. Sun flickers around us, summer’s wings. Yet sand, we need more sand! Deer watch from trees while we adjust the pathways on our knees.
Philosopher Michael Ruse is an ardent evolutionist and unbeliever, but he often comes to the defense of believers who are under fire from militant atheists like Richard Dawkins. Ruse says his sympathetic stance toward religion is partly due to his Quaker upbringing. “I grew up surrounded by gentle, loving (and very intelligent) Christians. I never forget that,” said Ruse. He also objects to what he regards as bad atheist arguments. Evolution explains the existence of religion as an adaptive mechanism, but that doesn’t necessarily explain it away. “It is as plausible that my love of Mozart’s operas is a byproduct of adaptation, but it doesn’t make them any the less beautiful and meaningful,” Ruse said (New York Times interview, July 8).