This collection ranges from the merengue of Dominican superstar Reynold to the earthy Hungarian folk of Marta Sebestyen (knit with Arabic textures on “Bethlehem, Bethlehem”). The Cox Family’s dawn-in-Appalachia rendition of “Go Tell It on the Mountain” is a highlight. Other tracks sample holiday pieces from Sweden, Italy and Africa.
Screenwriters love structure: it gives them something to focus on as they plow ahead in their storytelling or to retreat to if they get off track. Familiar structures include the road movie (looking for answers), the journey film (home to Ithaca) and the sit-by-the-fireplace flashback (“Let me tell you about Heathcliffe”).
For once, silence— genuine calm. Forty minutes on a tidal bight with a great blue heron in the binoculars’ sight. Not frozen but still. In a half hour, she barely turns a full 360 degrees. Time to notice the dark wingtip markings, light not-blue-but-gray breast feathers, the cobalt dash between the long beak and dark-eyed crown. Expectation gives way to awe, as each degree thins her to a reed among reeds.
By sunset, barely an apostrophe against the green marsh what’s left of color bleeding into water, this resolve: to pause to practice, to attend.
Statio. One of the elements of Benedictine spiritual discipline, the practice of pausing between activities to become conscious of the moment, of the presence of God.
The first “ghost comedy” was an effervescent 1937 charmer called Topper, in which two of the most elegant high comedians in movies, Cary Grant and Constance Bennett, crashed their roadster and immediately rebounded, their insouciant personalities utterly unchanged, as specters. That’s the joke on which ghost comedies are premised: death doesn’t alter a thing except corporeal reality.
The discovery of a Philistine cemetery outside the walls of the ancient city Ashkelon on the southern coast of Israel may provide clues to the origins of the ancient Philistines. A team of scholars is using DNA research and other techniques to determine the Philistines’ origins. Existing archaeological and textual evidence indicates that they originated somewhere in the Aegean region (National Geographic, July).