The trouble is the halo. He’s never dissected one, prying it open with a blade under cover of night to determine its component parts: seeking with his fingertips for the thin band of cartilage that holds it erect, or the branched nerves channeling light as coldly steady as foxfire on a rotting log. The same goes for wings. Without evidence from his cadavers, he dispenses with them, painting angels as fit as young quarrymen and pasta-loving cherubs to whom aerodynamic principles will never apply. Even God looks as if he climbs into bed each night stiff from a hard day’s work but not ready for sleep, his brain crammed with thumbnail sketches of airy beings aglow with inexhaustible fuel flying by faith in unborn Bernoulli’s constant.
These midwinter days that bridge Epiphany to Lent can seem anything but ordinary as the steady waxing light reflects across old December’s glaze of ice, a biting wind hisses across the stark bones of the bracken, and treetops signal sparse against a sky expecting still more snow before nightfall. Scarlet and speckled birds announce themselves about the brightness of the holly, spray from the creek creates bright frosted chandeliers among the tangled overhanging branches, and dusk draws down its spangling of stars so crystalline they lift the eye— heart too—toward a principality that banishes any vestige of routine predictability. Ordinariness exists—if at all— within the desiccated soul, too distracted by its fearful self to notice.
Soulful and tough in equal measure, The Pursuit of Happyness is the ideal movie for the Christmas season. It’s a triumph-of-the-spirit film in which the protagonist’s journey from poverty and occasional homelessness to solvency and the promise of a future is so thorny and obstacle-laden that you can’t imagine how he’s going to get there.
There is no happiness like mine. I have been eating poetry. –Mark Strand
What shall I do with this book I love so much I’d like to eat it? Meeting the poet at a reading, I would cast my eyes down. I’d walk behind him, not stepping on his shadow. If he told me I was half blind, I might lose sight in both my eyes. At home, everything I write becomes infected with his wildness: for instance, this, which I never planned, which has no ending.
Where shall I put the book, so full of life my car could barely stick to the Expressway? When my cold encyclopedias sense its goofy brilliance, they climb and hang on one another like Chinese gymnasts. I must subtract to make a place for the book to live. I lift out histories, then other listless volumes. I toss my boring files, erase the answering machine, renounce the desk, computer, pens.
Only the illumination of St. John stays. In my study’s scooped-out heart I wait beside the book, which glows with light borrowed from some distant star. I look at St. John’s face. He gazes from his throne, his eyes blazing with love and understanding. Tongues of flame play over him, sent from the Source who is both arsonist and fireman, and in his right hand, he holds a book.
The Mayan Empire existed for 4,000 years, from 2500 BC to 1500 AD, and it spanned five modern-day countries—Mexico, El Salvador, Honduras, Guatemala and Belize. Mayan civilization made significant strides in astronomy, agriculture and architecture, and it prided itself on its colorful art and skilled artisans.
Obvious of course, now and in the beginning: God is not a perfectionist. Good at detail for sure, and drama, but lacking the compulsion to get every piece of punctuation in its proper place, ever. And forever forgetting the finishing touches: a proper frame, that final proofreading.
Tempting to be critical of such sloppiness, all those excesses and omissions. For instance, surely there is too much sadness to go around, more than what’s necessary for lessons and poetry.
But I don’t mean there is no serious business here. Only that there is something else on the canvas, an art in line and color, a splash of mystery, a priority of passion perhaps, well beyond the right answer and its rush of applause, something still seeping into our soil.
Mark Bustos, a stylist at an upscale salon in Manhattan, gives free haircuts to homeless people every Sunday, his only day off from work. He started the practice during a trip two years ago to the Philippines. The response was so enthusiastic that he decided to make the same offer in New York. Many of the people whose hair he cuts are very thankful. He especially remembers the man who, after seeing what he looked like with his new haircut, asked, “Do you know anyone that’s hiring?” (The Week, August 29).