Arts+Culture

Arts+Culture

We Are the Eighth Day, © Melanie Weidner

Poetry

The work of wood

The shavings curled from my plane the afternoon
she stood a shadow in the door and spoke
the single syllable. I thought, So soon,
but deep in me a harmony awoke,
a rhythm lost in the hammer song I made
furnishing the world chair by chair, bed by bed.
Her single word was Go. My debt was paid.
Joseph’s memory would be satisfied:
My craft would find its end in speech—the Word
voiced as once when spoken it divided light
from dark and all Creation bloomed. I heard
my father in her voice. Both sadness and delight
indwelt the shop, as if the two were one
as they may be when the work of wood is done.
Music

Sound alternatives

Rickie Lee Jones broke into the music business in 1979 with the jazz-pop novelty hit “Chuck E’s in Love,” and she has been a maddening enigma ever since. At best she’s inconsistent, at worst she’s the embodiment of the tortured artist: all tantrum and attitude with little worthy fruit to show.
Poetry

Disconnect

in a pink shirt the reporter speaks
his voice ripe with excitement while
behind him the Wave crashes over
and over the same bodies flung
like broken sticks which in an instant
they have become bundled into
body bags bulging on the shredded sand
though when we return we’ll hear
from one survivor in a wheelchair
whom we glimpse smiling as the scene
shifts to a woman waltzing across
her kitchen dazzles as she holds high
a ziplock bag not large enough for bodies
no but fruit she says stays fresh for days.
Film

Torn web

If you found the first two installments of the Spider-Man series poetic, imaginative and impassioned, you’re likely to experience an unpleasant jolt at Spider-Man 3. The first two pictures were built on beautifully worked-out fantasy scenarios that operated as metaphors for the emotional development of the main character, Peter Parker (Tobey Maguire), aka Spider-Man.
Film

Between two worlds

It seems like yesterday that Indian-born director Mira Nair burst onto the international scene with Salaam Bombay! about the street children of that sprawling Asian city. In fact, it has been almost 20 years. During that time Nair has carved out an impressive career with such culturally sensitive films as Mississippi Masala, Kama Sutra and Monsoon Wedding.