Arts+Culture

Arts+Culture

We Are the Eighth Day, © Melanie Weidner

Poetry

Abandoned boat at sunrise

Up north, my wife, Felice, slipped
away with emphysema, and my work
cruised on without me—accounts balanced,
mortgages afloat.
                                    My sleep done
down here in Florida, I stand
looking out a darkened window
no one’s looking in.
                                          The morning paper
never comes too soon with its rites
of scandal and opinion. I finger
my few stocks’ shifting fractions, consult
the weather map’s puzzle,

while the percolator gurgles and sighs.
I wait for the light,
                                 wait for that moment
when Felice appears, pouring my cream,
easing my bitterness by asking, “Where
will you go today, and who will you carry?”

Film

A guy, a girl, a guitar

Glen Hansard, lead singer for the Irish band The Frames, has a long, woebegone face pebbled with a rust-colored beard; his eyes are immense, with the peeled look of billiard balls. He suggests a gangly Gaelic version of the young John Lithgow.
Poetry

"Earth,"

I heard the Irishman on the radio say,
only it didn’t sound the way we’d say it:
commonplace, like dirt under the nails.
He held it on his tongue, “Air-th,”
as if it were the best place, like heaven:
spacious, intricate, infinitely rich,
with swells of color and cloud,
forest stipple and patches of swale,
the “r” rolling along like the hills.
As if it were the best word
in the language, better even than love.
Film

Fishing for answers

Alfred Hitchcock said that the literary form that most resembles a movie is not the novel but the short story, since it is designed to be digested in one sitting. But the dilemma for moviemakers who adapt short stories is that they almost always need to beef up or expand the story so it can fill 90 minutes or more.
Poetry

Poinsettia

The scarlet petals were floppy as old hats
by March, and falling into piles on the rug,
so I cut its plastic pot to free its roots
and laid it by the compost in the mud.
Busy that spring, I never noticed how
it waited out the months, night after night
in wind, in grueling rain and a late snow,
inclining from the compost into light,
its new leaves firming, shining, thick,
like a novitiate of a strange order,
as days warm, growing fierce and quick,
blessing the lost plants I’ve lodged there.
It rang like church bells, red, on the hour.
Now let me learn to love what cannot flower.