Nominated as Best Foreign Film at the Academy Awards and awarded the Grand Jury Prize at the Cannes Film Festival, Gomorrah chronicles the violent activities of the Camorra, or “the System,” the sprawling crime syndicate in Naples and surrounding provinces. The film, directed by Matteo Garrone, is based on a 2006 book by Roberto Saviano, which was a best seller in Italy.
How did he do it? Open those good hands, spread his five fingers wide to receive the blunt nails? Hear the crack of bone, delicate wingwork of phalanx and carpal? Hang the weight of his whole self from those soft clay doves and trust them to hold? To hold?
They flutter light. Brush against the good wood. His mother’s eye catches, watches as she used to watch beside her dreaming child those white birds of paradise gently reach for some thing lost, some thing left behind, a kingdom he saw about to come.
The entrancing animated feature Coraline, faithfully adapted by Henry Selick from Neil Gaiman’s marvelous children’s novel, is an Alice in Wonderland story. The feisty, sharp-witted Coraline (voiced by today’s busiest child actor, Dakota Fanning) finds an alternate world behind a locked door in her apartment building.
Here’s your Ash Wednesday story. A mother carries her tiny daughter With her as she gets ashed and the Girl, curious and wriggly, squirms Into the path of the priest’s thumb Just as the finger is about to arrive On the mother’s forehead, and the Ashes go right in the kid’s left eye. She starts to cry, and there’s a split Second as the priest and the mother Gawk, and then they both burst out Laughing. The kid is too little to be Offended, and the line moves along, But this stays with me; not the ashy Eye as much as the instant when all Could have been pain and awkward But instead it led to mutual giggling. We are born of dust and star-scatter And unto this we shall return, this is The Law, but meantime, by God, we Can laugh our asses off. What a gift, You know? Let us snicker while we Can, brothers and sisters. Let us use That which makes dark things quail.
Between 1990 and 2010, Iowa lost over 500 churches. The numbers reflect migration from rural to urban areas and the fewer number of people who identify with a faith community. The decline in churches is having a direct effect on the social fabric of the state. According to research at Iowa State University, nine out of ten rural people said they rely less on their neighbors than they once did. Surviving churches have gone back to older patterns to find leadership, engaging itinerant pastors or lay leaders. Some are surviving through cooperation with other denominations or with ethnic Christian groups (Pacific Standard, January 20).