Spike Jonze’s film of Maurice Sendak’s classic children’s book, Where the Wild Things Are, substitutes pop psychology for Sendak’s exuberant, anarchic vision of childhood. Sendak’s hero is a boy named Max who’s sent to bed when his high spirits turn the corner into aggressiveness. He finds his room transformed into a jungle inhabited by savage creatures who make him their king.
Skip the American movie version of this story and view the series made by BBC for television. Focused on the press and shady doings in the upper echelons of government, this investigation of a murder unfolds over six hours. The depth of characterization gets viewers invested in the story and makes the suspense all the more (pleasantly) unbearable.
Just after we’ve communally stuffed and thanked, the first sleet comes down in shanks of dirty lambs’ wool, rude messy sheets, slathering the cars we hunch in, hurrying again, against some febrile deadline, dodging the poor squiggling squirrel trying to shoot across the heavy-metal trafficked road that intersects his world.
He seems to have made it, tail on. We may, too, make it home, untripped this time by our own haste, knowing in some dark artery that the meal we need, the company against the cold, like the animals in the Ark, are all waiting, like Advent, inside the small rooms of the remaining calendar, we pass through, one by one.
Here are choral works by a teenaged Felix Mendelssohn, including large-scale settings of the Magnificat and Gloria, along with some shorter works. The influences of Bach and Haydn are evident in the early work of the composer, who would go on to write Elijah and St. Paul.
These waters, I must trouble for myself, in an age of the absence of angels, as I plunge, first of the day to break the lambent surface of the pool, and commence my daily reaching after miracles, swimming laps at almost eighty-one. The miracle I seek these recent years has been defined, and then refined, by that old friendly temporizer, “yet”; no longer seeking not-to-die-at-all, just not-to-die-quite-yet, to win a couple bonus years, in which to pen another poem or two, to pile a few more chosen words onto this heap I have—for Oh so long—been working on. Any healing that might come will clearly have to be short term. Until, that is, I reach the final turn, take up my beggar’s bed, and walk.
Print books remain significantly more popular than digital books, according to a recent Pew Research Center survey. The bad news is that the number of people who reported reading a book in any format last year was 73 percent, down from 79 percent in 2011 when Pew first started gathering data on the reading habits of America (Publishers Weekly, September 16).