This collection ranges from the merengue of Dominican superstar Reynold to the earthy Hungarian folk of Marta Sebestyen (knit with Arabic textures on “Bethlehem, Bethlehem”). The Cox Family’s dawn-in-Appalachia rendition of “Go Tell It on the Mountain” is a highlight. Other tracks sample holiday pieces from Sweden, Italy and Africa.
Martin Ritt’s 1972 adaptation of the beloved children’s novel by William H. Armstrong is one of the most powerful family films ever made. It is set in Depression-era Louisiana, where a proud father (Paul Winfield) poaches game to feed his wife (Cicely Tyson) and children and winds up on a chain gang.
A movie about a family of Irish cops—that sounds like one you’ve seen before. But Pride and Glory contains a few unfamiliar notes, and it rings truer than most movies about corruption in the police ranks.
It was Marshall McLuhan, I believe, who first observed that the increased speed of transportation and communication had made the world a global village. That observation has become a commonplace. But we don’t usually focus on the aspect of the village metaphor that suggests we have become more, not less, parochial than our predecessors.
Danielle Snyderman, a geriatrician, says it isn’t possible to work successfully with an elderly patient without knowing about that person’s relationship with his or her spouse. This awareness led her to start collecting stories about the love lives of the couples she was working with. These stories are “packed with humor, history, wisdom, and grace. Who wouldn’t feel better after bearing witness to love that has weathered child-rearing, war, poverty, financial success, and physical decline?” Couples have difficulty addressing one question: “How do you anticipate a time without each other?” (Philadelphia Inquirer, June 14).