We Are the Eighth Day, © Melanie Weidner


Two Lovers

The romantic drama Two Lovers is the perfect small movie. James Gray and his co-writer, Ric Menello, were inspired by Dostoevsky’s short story “White Nights” and especially by the exquisite 1957 movie version by Luchino Visconti.

I Love You, Man

I got this problem. There’s this guy I want to be better friends with. We’ve been out with other people for drinks, talked at professional events and had a few laughs. But when I ask him out on a man-date (strictly defined: lunch or drinks after work) he’s always busy. Should I take a hint or try some other approach?


The farmer has shown up with the sun,
the two conspiring to work the land together.

It’s May. Time for blades to dig in.
Furrow a fresh start.

And you’d like to join in. You’d like to whistle
the sun over to you like an obedient dog,

tell it to sit, right there, and stay while you seek
forgiveness. For too long, you’ve been trapped,

burrowing with your bare hands tunnel after dead-
end tunnel, stubborn, refusing to change

direction as you search for the yellow face
of escape to glow before your eyes, unveil

the mysterious egress. Go.
You can see it now. Turn

your hands over like the dirt at your knees,
the soil on that field. And go.

Leave your flashlight behind.


On music

The world’s most popular rock band lives in constant contradiction. As U2 itself put it in the 1988 hit “God Part II”: “I don’t believe in riches, but you should see where I live.” The group at times proclaims Christ with power and passion, but it seems equally capable of cunning calculation.