All winter the fish lounge at the bottom of the pond squinting up now and then toward the cloudy light beyond the ice, but mostly skulking behind cold wet shadows like teenage guys down in the basement hanging out, waiting for life to happen dreaming elongated nursery rhymes feeling the submerged sluggish vibrations of the earth a faint quiver of the moon’s pull on the tides.
After Easter, though, they dopily drift toward the surface where I am waiting patiently with something like civilization in mind. Sooner or later they’ll make the connection: they get their daily bread from me. And in return I get a glimpse of their elusive grace, their perfect freedom organized into evening ritual.
The Austrian picture The Counterfeiters, which won this year’s Academy Award for best foreign film, dramatizes yet another little-known story of the Holocaust. In “Operation Bernhard” the Nazis assembled a select band of prisoners at Sachsenhausen concentration camp and put them to work producing counterfeit versions of the English pound note and the American dollar bill.
Diablo Cody won an Academy Award for her screenplay for Juno, and it’s true that the film bubbles along on the strength of the snappy, frank commentary that Juno (Ellen Page) offers on the travails of being pregnant at 16.
Did Jesus Christ ever have an erection? John Marks poses that question to his Christian friend Craig Detweiler in the film Purple State of Mind, which is showing in limited release and available on DVD (see www.purplestateofmind.com). As the title suggests, the film is about what happens when red-state and blue-state types mix it up.
Part of what makes Romanian director Cristian Mungiu’s Four Months, Three Weeks and Two Days so fascinating is its rambling, almost improvisational style. Viewers have to pick up bits of information about the plot and characters along the way.
Emma Sulkowicz, a Columbia University student, is carrying her mattress everywhere she goes as part of her senior visual arts thesis. Two years ago she was attacked and raped in her dorm room. Sulkowicz sees this performance art project as a way to show the burden sexual assault survivors carry everyday. Last year three women reported assaults by the same person; all three cases were dismissed by the university (Time, September 2).