We fought for one more sputter of the old life. Even though a breeze passing over your sieve of skin could send you screaming, you muscled up your diaphragm to whisk more air into the fire.
I held my own terrors to my chest: failures and brush-offs, cancers and crashes, all the anxieties I had grown to love heaving and cracking like your ribcage until we both gave out.
Then there was the mess of prying us loose: wailing women and splintered lumber, flesh stubbornly sticking to the nails. But what swift hands, that Joseph of Arimathea, what purposeful footsteps crunching the ground!
He wrapped us in linen and spices. Only the hapless world could think of packing fifty pounds of aloe around a dead man’s wounds. But we drank it in like deserts until finally even the lizards scurried home.
I lay in the cave and wanted to touch you, but my hands were no longer mine. They closed in on themselves like daylilies. The stone rumbled over the window of light, and then our difficult rising began.
The Young Victoria, a chronicle of Queen Victoria’s early days on the English throne, avoids all the historical-epic pitfalls. It’s a trim, robust film whose period-piece trappings—sumptuous production and costume design—never threaten to overwhelm the human interaction or muddy the dramatic arc.
Hardly a day passes without someone declaring the death of the book. Recently Lisa Miller of Newsweek viewed an electronic edition of the Bible that was replete with linked maps, a commentary and dictionary, and 700 paintings depicting biblical scenes. Astonished, she sputtered, “This is the beginning of the end of the Word.”Theologically, the future of the Word as the Bible remains assured. That is because the God met in Israel and Jesus Christ acts in history, and the church (as well as the synagogue) can give no remotely adequate account of its faith and practice without resort to the memory of a story that's been preserved via the spoken and written word.
Here in the basement of the Espresso Royale on Sixth Street in this land grant university town, amid English Fog lattes and keypad-clatter, in the afternoon before the all-hallows-eve in which Katie, a great-great-et-cetera granddaughter of the townswoman they hanged for the crime of witchcraft, will play a game—homo ludens— of volleyball against the maize-and-blue Michigan Wolverines I draft a missive to the good citizenry of Dorchester as though they might yet happen upon these words, as though their revivified selves were a short gallop from this latitude and longitude, as though their sins of omission and commission might still be forgiven— not just forgotten—by an act of penance that includes a pilgrimage to tonight’s venue and a maniacal cheering for this descendent as she executes (I didn’t invent the language) a perfect play that culminates in (really, I didn’t) a kill. Full stop because I don’t know how to end this letter. So I do what I always do: continue breaking lines and staggering down the page until it’s time to witness more volleyball and cheer like nothing else ever happens or matters.
Researchers at Yale University School of Public Health have discovered a link between longevity and reading books. People who spend up to 3.5 hours each week engrossed in a book were 17 percent less likely to die in the 12 years following the study, and those who read more than 3.5 hours are 23 percent less likely to die in the same period. The longevity advantage remained even after adjusting the data for education, wealth, cognitive ability, and other variables, although no cause-and-effect relationship was established (Tech Times, August 8).