From South and East, from West and North they gather, on foot, by car, in rickshaw, tram, and bus, health, in wheelchair, in joy, in sorrow, relaxed, uptight, disheveled, and fastidious. They come, O Christ, to you, to taste the body that once for all was slain, to sing and pray and take a cup whose balm brings life from dying— throughout the world and somewhere, somewhere every day.
The words they hear when they have come together are chanted, lisped, intoned, or simply said and tell in myriad tongues with every accent of body broken and of life’s blood shed. Mere words convey a gift of perfect freedom, a debt of love that no one can repay, a yoke of new and welcomed obligation— throughout the world and somewhere, somewhere every day.
The spaces where they meet are huge, resplendent, or huts and hovels all but falling down, on Sundays jammed but often solitary, both nowhere and on squares of world renown. Yet all are hewn from just one Rock unbroken in whose protection no one is betrayed, which lets itself be smashed to bits for sinners— throughout the world and somewhere, somewhere every day.
The hands that tender host and cup are youthful, emaciated, worn, and manicured. They take so little time, they bring so little, to do a work by which so much is cured. These hands that bring the Savior near are icons of hands once torn in order to display with lines of blood the names who come receiving— throughout the world and somewhere, somewhere every day.
He spoke to you in blue, in the long call of light from the top of a Tuscan hill. Your hand answered, the quick sketch of a girl taking shape before you knew she was you, head uplifted, her angelful eyes sure of what they see: being bodied true as the stilled wings, the beatified sky. What words might have passed have passed as air sighed by the soul in the act of rapture. Now there is only ochre and thin-skinned cream, struck gold against the garden’s sudden green, forever as present as it once seemed, her hands crossed soft against her hidden fear and angel’s breath still warm within your ear.
The modest Irish picture The Eclipse has slipped below almost everyone’s radar; it’s moving quietly across the country in brief art-house engagements. This contemporary ghost story about loneliness and connection is worthy of attention.
These waters, I must trouble for myself, in an age of the absence of angels, as I plunge, first of the day to break the lambent surface of the pool, and commence my daily reaching after miracles, swimming laps at almost eighty-one. The miracle I seek these recent years has been defined, and then refined, by that old friendly temporizer, “yet”; no longer seeking not-to-die-at-all, just not-to-die-quite-yet, to win a couple bonus years, in which to pen another poem or two, to pile a few more chosen words onto this heap I have—for Oh so long—been working on. Any healing that might come will clearly have to be short term. Until, that is, I reach the final turn, take up my beggar’s bed, and walk.
Print books remain significantly more popular than digital books, according to a recent Pew Research Center survey. The bad news is that the number of people who reported reading a book in any format last year was 73 percent, down from 79 percent in 2011 when Pew first started gathering data on the reading habits of America (Publishers Weekly, September 16).