As soon as you hear the title, you can probably guess what kind of film The Book of Eli is going to be. Yes, it is the story about a man named Eli (played by Denzel Washington, who is also one of the film’s producers), who has a book; it is also about the Bible, which in this case seems to provide not a set of beliefs but simply the hope that humanity has a future.
This winter I had the opportunity to observe a Caravaggio painting upclose and often: his Supper at Emmaus (1601) was on loan to the Art Institute of Chicago from its permanent home in London’s National Gallery. From the Century offices, it was only a few steps across Michigan Avenue to see this vibrant, dramatic painting.
Director Martin Scorsese goes for broke in Shutter Island. The style is a particularly gaudy brand of expressionism. The production design is dominated by dried-blood reds and smeary browns. Robert Richardson’s cinematography is more radically underlit than the old Universal monster pictures from the early 1930s. But the movie is a fiasco.
Wee Agnes Sawrey widdow & Dorothy Tyson Spinster do severally make oath yt ye Corps of Margaret Tyson of Gryzedale in the Parish above s’d beeing buryed the first of Aprill 1696 was not put in wrapt wound up or buryed in any shirt sheet shift or shroud mad or mingled with Flax Hemp or any Coffin lined wth cloth or any materiall but what is made of sheep wooll only according to a Late Act of Parliamt made for Burying in Woollen. In witness herof wee the saide Agnes Sawrey & Dorothy Tyson have sett our Hands & Seals. Aprilis, Ano Di 1696. —Parish document in St. Michael and All Angels Church, Hawkshead, Cumbria
In Norway when you die, they clothe you in a gown of purest white. Egyptians sucked out organs, layered presoaked linen strips around each desiccated limb. It matters what you wrap a body in.
I am one of the few that walk the footpaths on the fell today who put on wool against the sharp October air. The scattered sheep are unimpressed. Warming these hills with active tongues, they are unaware that Parliament, to buoy the trade, once ruled that only wool could be the spun and woven garment of the dead.
Agnes and Dorothy held to the law, picking softest weave of shift or sheet or shroud to lay against the body of their Margaret— like the Marys in the story, who laid his body out, washed and oiled, and put, wrapt, wound up, and buryèd each limb in swaddling clothes to match the ones his little body wore in Bethlehem—the cloth he wore to meet with life and fight with death— he who newborn slept among the shepherds and their silent, woolly sheep.
“Independent bookstores are more than the sum of their books,” says Betsy Burton, cofounder of the King’s English bookstore in Salt Lake City and president of the American Booksellers Association. Independent bookstores are “safe havens, centers of community where people go to see friends and neighbors—or strangers who are interesting to meet and talk to—but they’re also refuges populated by booksellers who are not just interesting, and interested, but empathetic.” Burton recalls the morning of 9/11 when her bookstore was mobbed by people not buying books but looking for a place of support, empathy, and community. Independent bookstores, says Burton, are more inclusive than churches, more communal than cultural events, and more intimate than bars (Publishers Weekly, July 15).