When he was in his early 40s, Jean-Dominique Bauby, editor of a French fashion magazine, suffered a massive stroke which left him completely paralyzed except for the movement of one eye. By using this eye and a Morse code of sorts, he was able to dictate a memoir to a caring and patient scribe.
The Austrian picture The Counterfeiters, which won this year’s Academy Award for best foreign film, dramatizes yet another little-known story of the Holocaust. In “Operation Bernhard” the Nazis assembled a select band of prisoners at Sachsenhausen concentration camp and put them to work producing counterfeit versions of the English pound note and the American dollar bill.
Diablo Cody won an Academy Award for her screenplay for Juno, and it’s true that the film bubbles along on the strength of the snappy, frank commentary that Juno (Ellen Page) offers on the travails of being pregnant at 16.
See, it’s not sweet youth that touts a wildness, but crazy old age. Beauty shifts. Plump pink petals fall away, or stay, curling every which way, like stiff, unruly hair, dried to a deep blood-red.
The once-upright congregation- in-a-vase flops over, losing their heads, but that’s all right. They find another life in unconventional gesture, extravagant dance: this still troupe, ecstatic, with nothing left to lose.
All winter the fish lounge at the bottom of the pond squinting up now and then toward the cloudy light beyond the ice, but mostly skulking behind cold wet shadows like teenage guys down in the basement hanging out, waiting for life to happen dreaming elongated nursery rhymes feeling the submerged sluggish vibrations of the earth a faint quiver of the moon’s pull on the tides.
After Easter, though, they dopily drift toward the surface where I am waiting patiently with something like civilization in mind. Sooner or later they’ll make the connection: they get their daily bread from me. And in return I get a glimpse of their elusive grace, their perfect freedom organized into evening ritual.
The diaries of World War I poet Siegfried Sassoon have been digitized and made available to the public by the University of Cambridge. Sassoon, a British soldier, was quickly disillusioned by the war and became an outspoken war critic. His diaries feature poetry, prose, and drawings and include his 1917 antiwar “Soldier’s Declaration,” which got him committed to a hospital for the duration of the war. He described the first day of the Battle of Somme as a “sunlit picture of hell” (BBC, July 31).