Arts+Culture

Arts+Culture

We Are the Eighth Day, © Melanie Weidner

Film

Re-Bourne

The immensely exciting Bourne trilogy, culled from Robert Ludlum’s best sellers, builds to a satisfying conclusion in The Bourne Ultimatum, which ties together the arcs of The Bourne Identity (in which amnesiac CIA “black ops” agent Jason Bourne attempts to find out who he is) and The Bourne Supremacy (about his drive to track down the CIA higher-up responsible for murdering his girl
Film

Angst

Growing up in the Greek Orthodox Church, I learned to confess my sins by kneeling directly in front of the priest. I had no reason to believe that other churches handled this sacrament differently. When I first saw Ingmar Bergman’s The Seventh Seal, I was mesmerized by the scenes of Death and the Knight talking to each other, in part because they were sitting in some sort of booth with a small door between them. What a great cinematic concept, I thought. When I later visited a Catholic church for the first time and saw the rows of confessionals, my response was, “They stole the idea from Bergman!”
Music

Sound alternatives

David Bowie called them his favorite iPod download. U2 used their song “Wake Up” as the walk-on anthem for their last tour. Coldplay and David Byrne are unabashed fans. Not bad for a band that just debuted its second album.
Poetry

Was blind, but now I see

You have your sight, and yet you cannot see.
        —Tiresias, Oedipus Rex



Driving into the city to teach
in gray-green late summer,
I see one flaming red maple
and think of Oedipus
standing dangerously above the hoi polloi.

But it is Moses’ tree,
a call story on a highway hillside.
I want to stop traffic,
shout, “Take off your shoes, people!”

For the world is on fire
with a beauty so fragile that,
like the thread of ash
after the stick of incense burns,
one breath can topple it.











Poetry

On hearing my young student in Britten's parable opera Curlew River

Somewhere in the sacred opera,
in a sea of men, the little voice,
        fearless in the face
        of the foreign marketplace of sound
        booming in the maw of the basilica,
came forth, the little voice,
like the water bird above the river.

The lost child’s chant, meant to take away
a mother’s grief, came at us
from behind.

His form, white, diaphanous, backlit,
wafted from the narthex down the nave,
one flaming wing trembling,
his treble sure, sure, soaring,
pinning my lapsed heart
to some small certainty:

All shall be well.
The ears of the deaf
shall be open, as well
as the gates
to the house of doubt.