In Homer’s Odyssey the Sirens’ song was an enchanting tune, impossible to resist, that lured lonely sailors toward a perilous shoreline, where they would die when their ships crashed against the jagged rocks. In the mesmerizing documentary The Bridge, the Sirens’ song is the strange allure of San Francisco’s magnificent Golden Gate Bridge.
In director Todd Field’s Little Children, adapted from Tom Perrotta’s best-selling novel, Kate Winslet plays Sarah, an intelligent, expensively educated woman who is raising a preschool daughter in the suburbs. Her husband, Richard (Gregg Edelman), has apparently lost sexual interest in her; up in his study he amuses himself with photos of an Internet seductress known as Slutty Kay.
When I’m reading a joke out loud from a new joke book, I hear my voice start to falter, from laughter, almost to weep, from laughter, the way my sister’s voice did as a child or a woman, especially if somebody made a bathroom joke; and my father’s voice did, when he wasn’t just poking fun at someone, when he found something really funny; slapstick got him laughing that way, sometimes. A laughter beyond words, maybe beyond grief. As I hear myself laughing like them, with them, I say: a laughter beyond death.
The readiness is all, he says, but I’m not ready, not for this: the bluebird back before her time—that is, if she ever left—the winter soft as summer mist when pink buds swell too soon, surprising. Which should, it seems, be cause for joy, but, yet again, it is not so, for on this fragile island earth, ice fields melt, dark waters rise, and sweeping north in wild flight, swans bear within them seeds of death, not yet in bloom, but it will come when warbler, wood duck, raven, wren drop from the silent sky like stones; and in the green dawn no birds sing.
Television cemented stardom in the 1950s for many celebrities of radio, vaudeville and motion pictures—Lucille Ball, Milton Berle, even Alfred Hitchcock. The first TV star created by the infant medium was George Reeves.
No one understood my nightly need to be reassured I’d wake up again the next day. Eyes closed, I saw no sheep but the tufts of pampas grass looming silver like a solitary path. The scroll hung above me, a verse in five and seven, its flowing hand thin and illegible—I still knew it was about our life not lasting very long. How is it that adults were okay with such a prospect? In July, bamboo blades rustled against paper cranes and prayer strips; I wondered how I’d made the cut, when I wasn’t a boy my father wanted, wasn’t a koi princess my mother said would magically turn her tail into a pair of legs. I looked for the fabled rabbits on the moon, a family of them taking turns to pound rice into pearly cakes along their dark, elliptical orbit.
A copy of the Bay Psalm Book, the first book published in America, will be auctioned off by Sotheby’s and is expected to bring between $15 and $30 million, making it the most expensive book ever sold. One of two copies owned by Old South Church in Boston, it is one of only 11 remaining copies published. The proceeds will be used to help replenish Old South’s endowment once $7 million of it is used for deferred maintenance. The church historian resigned over the congregation’s decision to sell one of its treasures, but the rest of the congregation overwhelmingly supported the decision (New York Times, November 15).