In recent years, “No problem” has become a customary response to a “Thank you” rendered to wait staff, service providers, hosts and gift givers. By my observation, this practice of replacing “You’re welcome” with “No problem” began with the generation now in their thirties. “No problem” is now widespread enough that Judith Martin (Miss Manners) has thought it necessary to pronounce against it.
It is commonly assumed, and regularly taught, that the key difference between playwriting and screenwriting is that the former tells the bulk of its story with words (it is dialogue-driven), while the latter relies more heavily on images (it is camera-driven).
A movie about a family of Irish cops—that sounds like one you’ve seen before. But Pride and Glory contains a few unfamiliar notes, and it rings truer than most movies about corruption in the police ranks.
Are you really? Underneath the snows of winter, do you blossom on and on? Do the pocket gophers crave you, tunneling beneath that blanket, pray to enter your secret chambers, rest inside your open gates?
I see your flowering, fruiting clusters, hanging on into October, leaning into the open path, making way, ushering whatever is holy into the presence of things that stay.
Bob Dylan gave a wide-ranging interview to AARP Magazine and declared that if he hadn’t been a musician, he would have been a schoolteacher, and would likely have taught either Roman history or theology (AP).