Adam is . . . scattered throughout the globe. Set in one place, he fell and, as it were, broken small, he has filled the whole world. But the Divine Mercy gathered up the fragments from every side, forged them in the fire of love and welded into one what had been broken. . . .
It’s unlikely that the rest of 2010 will turn up another movie as astonishing as Vincere, by 70-year-old Italian director Marco Bellocchio. It’s a historical drama that covers the rise of Benito Mussolini from his beginnings as a socialist in the days before World War I. But the protagonist isn’t Il Duce; it’s his mistress, Ida Dalser.
The challenge of telling other people’s stories is an occupational hazard for journalists, historians, memoirists, conflict mediators and even preachers. Getting the facts accurate is only part of the challenge. Storytellers have to grapple with the most effective way to tell the story and what perspective to take or interpretive remarks to include.
Two years ago, blogger Christian Lander struck satiric gold by chronicling the interests and motivations of white people.
Lander’s valuable insight was that as members of a privileged majority
group, we tend to think of ourselves as simply part of the overall
culture—when in fact we comprise a racial subgroup like a
Likely no culture has been so ignorant and contemptuous of place as is contemporary industrialized society. We may not even qualify as a culture, since that word generally connotes a form of social organization that connects people and places through time. By that criterion, industrialized society fails miserably.
Print books remain significantly more popular than digital books, according to a recent Pew Research Center survey. The bad news is that the number of people who reported reading a book in any format last year was 73 percent, down from 79 percent in 2011 when Pew first started gathering data on the reading habits of America (Publishers Weekly, September 16).