Arts+Culture

Arts+Culture

We Are the Eighth Day, © Melanie Weidner

Film

The Chronicles of Narnia: Prince Caspian

Like The Lion, the Witch and the Wardrobe (2005), the first nonanimated big-screen feature film based on C. S. Lewis’s Chronicles of Narnia books, Prince Caspian is visually spectacular, emotionally stirring and dramatically potent.
Film

Indiana Jones and the Kingdom of the Crystal Skull

The biblical archaeologist at my seminary once donned Indiana Jones–inspired attire to publicize one of his discoveries. He claimed not to enjoy this publicity stunt. If so, he’s about the only movie-watching male who didn’t want to play at being Indy, the brainy, hip, unflappable professor of archaeology who could fight off Nazis with little more than a fedora and a bullwhip.
Poetry

The mind's eye

Could be the sun, if it ever was.
                                                          Darkening sky, darker shapes
not shadows but clouds
                                           shapes only you can see—
smoke from a fire,
                                 that dream about your mother.

Could be the thing at the back of your eye
                                                                            upside down
until the brain turns it around—

trees walking on their leaves,
                                                      wearing their roots like hair.

Could be the thought you forgot
                                                            then remembered later
after everyone had gone.

In the daytime it’d be different.
                                                       Everything white and fluffy.
The sky blue.

Still the half-formed shape, the real beneath.













Poetry

Millipede

Holy Spirit: do not descend as a dove.
Better to return as a millipede hidden
beneath decaying bark than anything
that can soar. Ponder the incarnational
worth of Pneumodesmus Newmani,
the oldest known form of life on land,
linking air breathing with the surname
of the Scottish bus driver and amateur
paleontologist who chiseled its fossil
from harbor rocks north of Stonehaven,
observing through his field lens small
openings in its exoskeleton used
for inspiration, meaning it moved its
many legs on dry ground, not seabed.
Or consider this descendent of Pneumo,
younger by four hundred million years,
curled for self-preservation on my palm,
a hard button of red legs whorled inward,
circled by dark armor plate, both of us
breathing air while we wait for a sign
that it is safe to resume whatever it was
we were scurrying to do prior to this
disruption of our forward flow to make
a theological point: Of what use are
metaphors of flight for things with feet?
Poetry

Baptism by Rembrandt's prints

His fascination with light begins
in a lantern held by a shepherd,
over a little family against inky velvet.
Then light shifts; Christ becomes core.
When he preaches rays fall like song on
some earnest, captivated faces, some
distracted by other conversations,
and a dog facing the wrong way.

From his raised hand light spills
like waterfall over Lazarus and
lifts him, pale and twisted
into that luminous aura.
Even on the cross, the thin
etched lines leave an ivory
bowl around him, gather
from dimness the only dawn.

The limp corpse with extended
ribs still radiates. Its slide starts
at a peasant face, guided into arms
that catch the contagious light,
leaking onto the stocky official,
plumply supervising procedures.
Visual poems carved on copperplate:
I stood rinsed in that light.