Halfway through Michael Mann’s Public Enemies, about the time I should have been engrossed in the tommy-guns-a-blazin’ battle between bad guy John Dillinger (Johnny Depp) and good guy Melvin Purvis (Christian Bale), I found myself staring at the beautiful overcoat Dillinger was wearing, the hip sunglasses he had on and the way Purvis’s stylish hat was nattily cocked upon his head.
Recently a friend forwarded me a cautionary e-mail. It reported that a couple in Canada had parked for an errand, and as they walked away from their car, the driver used the remote on his key fob to lock the doors. When the Can adians returned to their car five minutes later, it had been stripped of a laptop and a cell phone. The police were summoned.
Last week a mathematician said green glow, aquamarine— and I suppose rare parrots or the searing rise of rice, aurora as it reels around the poles.
This week the man says oops, a miscalculation: the universe is amber— peach hair, cantaloupe, a squeal, the yellow cart of dawn pulled into day.
Show me the math, show me equations in green, gold, vermilion, plum— whatever comes out of the dark around us and the sun and all the sons and daughters of the stars— the universe a crystal, charmed, worn in the hollow of God’s throat and warmed.
I board the airplane to see my parents. They live far away and long ago And some years into the future; you never met such wry time machines In your life. Sometimes they will be about to pass the marmalade when Suddenly it is late 1941 and they are in college and kissing on the train; But then as you slather your toast it is 1967 and a war wants to eat their Son or 2012 and they are at that son’s wake or 1929 and a father comes Home without his job, or it is a week ago, and do you think that Federer Is the finest tennis player ever, or Laver, or Don Budge? It happens that Fast. It’s unnerving and glorious and confusing and perfect and I would Sit with them every afternoon, if I could, and say tell me tell me tell me, Tell me every moment of your whole lives, don’t leave me here without Your grace and humor and the extraordinary gleaming jar of marmalade From which come all your stories. Next year in Ireland . . . says my mother, And my dad grins, and I want to kneel and beg the Lord for this moment Again and again always, the inarguable yes of their bodies, the resonance Of their endurance, the hunch and hollow of their shoulders, the reverent Geography of their faces, the lean song of my father’s hands on the table.