Those days, I sat on our front porch holding my daughter, my arms and chest vibrating with joy like a tuning fork. Atoms of our happiness fell in on one another like gears turning at the heart of the universe. When stars came out at noon, the meadow of my hollow hand was filled up with strange light. How can it be now that we are two separate islands in an ocean of blue water? I think of my own mother long ago, sitting on her porch with me. That distant island. When my daughter sits on her porch this summer, holding her own child I will watch her from my island. I will call to her over the blue water.
Guilt and remorse over Nazi atrocities and the horrors of World War II have consumed Germany for decades, influencing politics, culture and the arts, including cinema. The rise of the German New Wave of filmmakers in the 1970s (led by Werner Herzog, Wim Wenders and Rainer Fassbinder) was fueled in part by a desire to exorcise Germany’s dark past.
Orchard Gardens, a K-8 pilot school started in Roxbury, Massachusetts, in 2003 did not live up to expectations. It was racked by violence, and its 2010 test scores placed it among the bottom five public schools in the state. Andrew Bott, the school’s sixth principal in seven years, fired all the security guards and devoted the money to teaching the arts. It was a risky move that’s paid off. Tests scores have improved, even though they’re still below average, and student behavior has improved. “I’ve been more open, and I’ve expressed myself more than I would have before the arts came,” said one student who has been accepted into a public high school specializing in visual and performing arts (NBC News, May 1).