It’d been a long winter, rags of snow hanging on; then, at the end of April, an icy nor’easter, powerful as a hurricane. But now I’ve landed on the coast of Maine, visiting a friend who lives two blocks from the ocean, and I can’t believe my luck, out this mild morning, race-walking along the strand. Every dog within fifty miles is off-leash, running for the sheer dopey joy of it. No one’s in the water, but walkers and shellers leave their tracks on the hardpack. The flat sand shines as if varnished in a painting. Underfoot, strewn, are broken bits and pieces, deep indigo mussels, whorls of whelk, chips of purple and white wampum, hinges of quahog, fragments of flat gray sand dollars. Nothing whole, everything broken, washed up here, stranded. Light pours down, a rinse of lemon on a cold plate of oysters. All of us, broken, some way or other. All of us dazzling in the brilliant slanting light.
That here in the deepest water, beyond even rags of light, nearly transparent creatures glitter and flash like neon signs floating down the Las Vegas strip;
That as recently as seven years ago liquid water flowed down an arroyo on Mars, shifting sands and turning small rocks, a pattern like a palm print on a rusting door;
That on a cold night water vapor makes visible the breath of small children, who laugh to see themselves breathe,
and makes visible the broken breath of old men forgetting their children in refugee camps, and the drying breath of prisoners in stone cells, whose mothers and sisters believe they’re long dead;
That in the beginning the Spirit moved over the waters like a mighty wind; that the spirit moves through water even now, even now through the straw held to a sick man’s lips, blessed from basin to scallop shell to the forehead of a crying child; That we are from conception almost entirely water.
The low-budget English production Is Anybody There? is now reaching screens in the United States, thanks to the presence of Michael Caine in the lead role. The action takes place at Lark Hall, a family-run nursing facility. As one aging resident dies, another arrives to take over the bed—a cycle of life and death accepted mostly with a nod and a shrug.
I’m not sure why I found it so endearing, the surgeon’s always saying, upon hearing his patient’s slightly hopeful rephrasing or reply just after he’s been told the how and the why of the surgery or recovery, a fine-mineral fear inset in optimism, “From your mouth to God’s ear.” The surgeon said it encouragingly, with a smile. Considering it, it took me only a little while to realize what it signified: “We can’t really know, but it’s good to hope so. Who knows? Let’s hope so. But also don’t mistake my taking of a measure, my neutral explanation. Elsewhere is your treasure or rescue, if any exists. Nothing is promised, either.” By then, I was content to drift in uncertainty’s ether.
For one day in December differences were set aside between Israelis and Arabs in the Haifa region of northern Israel. A soccer tournament was organized that brought together more than 200 Arabs, Jews, and Druze. The event was planned to mark the hundredth anniversary of the Christmas truce that took place on the front lines of World War I on Christmas Day. Legend has it that some German and British soldiers even played soccer. The soccer tournament in Israel came at a time when Israeli-Palestinian relationships were at their lowest point in years (National Catholic Reporter, December 20).