Arts+Culture

Arts+Culture

We Are the Eighth Day, © Melanie Weidner

Music

CC recommends

Here are choral works by a teenaged Felix Mendelssohn, including large-scale settings of the Magnificat and Gloria, along with some shorter works. The influences of Bach and Haydn are evident in the early work of the composer, who would go on to write Elijah and St. Paul.
Music

CC recommends

Dave Bazan, Curse Your Branches. Bazan’s confessional songwriting is dark and intense, but his impeccable craft makes it a pleasure. Bazan has put out album after album (many as Pedro the Lion) of precisely described internal turmoil set to spare rock and roll—with delectable pop hooks, here more confident and lilting than ever.

Film

Where the Wild Things Are

Spike Jonze’s film of Maurice Sendak’s classic children’s book, Where the Wild Things Are, substitutes pop psychology for Sendak’s exuberant, anarchic vision of childhood. Sendak’s hero is a boy named Max who’s sent to bed when his high spirits turn the corner into aggressiveness. He finds his room transformed into a jungle inhabited by savage creatures who make him their king.
Poetry

"And the angel left her"

            Luke 1:38

So there she stood alone amid a stillness
as loud as any earthquake she had heard,
the eaves creaking in the absence of wind,
the hiss and tick of radiators warming
the house along with a soon-coming sun.
Her hands touch her belly, swelling already
like dough cupped close in an earthen bowl.
She knows it won’t be long before she shows.
What to do with all this sudden silence?
Phone her boyfriend: Joseph, I have news!
E-mail St. Anne: Dear Mother, I’m afraid.
Drop to her knees, now weak with recognition
and kiss the space he filled a moment past
in answer to the question he had asked.

Film

The Invention of Lying

In the make-believe world of The Invention of Lying, everyone strictly obeys God’s ninth commandment. Alas, in spinning this ambitious morality play, the filmmakers violate a screenwriting commandment: thou shalt not get cold feet in the third act.