Arts+Culture

Arts+Culture

We Are the Eighth Day, © Melanie Weidner

Poetry

Reunion

She’s on life support. Racing to get there,
his Jaguar fishtails on the frozen highway.
She was a beauty and elusive as the future,
his mother, usually traveling on his birthday.

He felt he couldn’t fly, had to touch dirt
every inch of the way. To fly would be
to unpeel too fast the onion of his hurt.

She’d call. He wouldn’t answer. He was busy.

Now it’s ice he notices, gray molars
locking to dark bluffs, the way ice locks his heart
in steely winter logic. Then sun shimmers
on ice, the lock breaks, and love flows. Relief,
oh melting! as he steers toward his mother.

The syllogism that still might end in grief.







Poetry

De-icing the plane

A small black truck huddles
behind one wing, buried in a shroud

of smoke. Exhaust fumes? fire?
No. A cloud of detergent

billows over the plane. When every suitcase
is stowed, every seat belt buckled,

and the runways plowed, the black truck
sidles up again, the airport’s winter “familiar.”

The silver bird, with floury faces ovalled
on its side, slithers into a blizzard, hugely blind.

No mincing steps, no Lot’s wife here.
One hesitation could mean death

ablaze on a snowy superhighway. Everyone
prays, “Up, up,” to the engine’s crescendo,

like sparrows sudsed in a birdbath
just before flight.













Music

On music

It’s been some time since I donned my best professional earbuds to focus on a question of audio fidelity. But the band in question is the Beatles and the discs part of an ambitious remastering of the band’s catalog.
Film

The Lovely Bones

Back in 1994, when Peter Jackson was a relatively unknown director, he made the small but brilliant Heavenly Creatures, a tale about an “unhealthy” friendship between two teenage girls in 1950s New Zealand that led to bloody matricide. It remains my favorite film by this extremely talented filmmaker.
Film

Precious

The trailers for Precious suggest a weepy after-school special. But the movie itself turns out to be an honest piece of work—gritty, unsentimental and unconventional.