Arts+Culture

Arts+Culture

We Are the Eighth Day, © Melanie Weidner

Poetry

Rest on the flight into Egypt

One day thought’s Gethsemane
Like some personal handicap
Or guilt, will venerate the image
Of its last nativity, will fold
Its wings away and say,
“The bird of doubt has gone today.”

And all the “how could I be
So stupid” habit of the soul
Will harden to a pigment
Like raven’s feathers, painted
And set on an ancient canvas,
Giving up its foreground
To a moment’s peace in that journey
Of escape from Bethlehem of birth.

Just as in David’s “Rest on the Flight
Into Egypt,” an angel having whispered
Of slaughter, “You must leave, Joseph,”
He, knocking walnuts from the tree,
The donkey munching quietly some hay,
His son reaching up for grapes,
A young child’s suffering at play,
Not thinking yet, “I must, they say.”

And Mary, seated on a rock,
After long labor, serene as
Nazareth, building her pyramid.

Film

A Serious Man

It’s 1967 in Minnesota, and life is getting more and more difficult for physics professor Larry Gopnik (Michael Stuhlbarg). Despite his best efforts to be a good man, a respected member of his Jewish community, a bona fide mensch, the structure of his life is collapsing like the walls of Jericho.

Music

CC recommends

Here are choral works by a teenaged Felix Mendelssohn, including large-scale settings of the Magnificat and Gloria, along with some shorter works. The influences of Bach and Haydn are evident in the early work of the composer, who would go on to write Elijah and St. Paul.
Music

CC recommends

Dave Bazan, Curse Your Branches. Bazan’s confessional songwriting is dark and intense, but his impeccable craft makes it a pleasure. Bazan has put out album after album (many as Pedro the Lion) of precisely described internal turmoil set to spare rock and roll—with delectable pop hooks, here more confident and lilting than ever.

Film

Where the Wild Things Are

Spike Jonze’s film of Maurice Sendak’s classic children’s book, Where the Wild Things Are, substitutes pop psychology for Sendak’s exuberant, anarchic vision of childhood. Sendak’s hero is a boy named Max who’s sent to bed when his high spirits turn the corner into aggressiveness. He finds his room transformed into a jungle inhabited by savage creatures who make him their king.