Get Low is a redemption story that doesn't feel hollow or
fake. That's mostly because the protagonist, a Depression-era
small-town Tennessee recluse named Felix Bush, is played by Robert
Duvall in a wildly imaginative performance that may be the finest he's
ever turned in.
Video installations at museums and galleries evoke fascination and unease. Often we are torn between our desire for a traditional cinematic experience and curiosity about something deliciously unfamiliar. In Landscapes, Illinois artist L. Ashwyn Collins presents overly amplified sound coupled with spare visual planes. As from a distance, we watch a solitary soul walk across one screen and return back through the other screen in unexpected close-up. The use of slow motion undermines expectation (and increases desire and anxiety). The slower the work becomes, the more viewers become aware of an interior tension. "One of the goals of my work," Collins writes, "is to unsettle the viewer's expectations and visual confidence—to make art that surprises."
Being the Jesus scholar that he is, Marcus Borg certainly understands the power of a story. In Putting Away Childish Things he offers up a didactic novel that explores some of the thorniest theological issues facing the Christian community.
What is most startling about the iconic French director Alain Resnais is not that he is still making movies at the age of 88, but that his films still demonstrate such an unbridled love of cinema and its power.
The struggle to choose the hymns for the small rural congregation I serve is a microcosm of the challenges faced by members of the Presbyterian Committee on Congregational Song (PCOCS) as it decides what hymns and songs to include in the next Presbyterian Church (U.S.A.) hymnal and electronic resources.
So you doubt the whereabouts of God, a quark, everywhere yet nowhere at once. So the hell what? Doubt you the wind, doubt sandstone erosion and trilobite carapace. Let faith in dawn weather slow as feldspar. The sperm whale’s lungs collapse a thousandfold in unfathomable depths, yet bear it, unyielding. You who preach against miracles, go doubt the arctic tern asleep on the wing. Doubt that a father will leave untouched constellations of frost inside his windshield, the breath of his child frozen overnight. Doubt that bodies lose a few grams the moment of death. Doubt that, you who will, doubt that.
Americans now donate five times as many clothes to charity than they did in 1980. The supply of donated clothing outstrips the demand: typically, only 20 percent of donated clothing is sold where it is donated. In 2014, 11 percent of clothing donated to Goodwill ended up in landfills. About 45 percent of all donated clothing is exported to foreign countries by for-profit companies. The glut of used clothing disrupts local economies in developing countries, putting textile workers out of jobs. Bre Cruickshank recommends that clothing donors invest “in timeless styles of better quality,” rather than “refreshing our wardrobe according to seasonal trends” (Not Just a Label, April 9).