This collection draws on Carrie Newcomer’s dozen releases on Rounder, adding two new tracks that continue in her tradition of exploring spiritual dimensions in everyday life. Newcomer’s gentle alto welcomes the listener with more warmth than a cappuccino.
For most of my life now, I’ve been sucked ever deeper into various forms of Americana music. I love the simple forms and catchy tunes, the plainspoken emotion and humor, the fiddles and mandolins and banjos. In a worship context, I’m drawn as well to the music’s accessibility and its cross-generational appeal.
It’s easy to write Kris Kristofferson off as another country songwriter trawling the shallows of whiskey, diesels and cornpone imagery. But that’s a myopic read of the Rhodes scholar, William Blake devotee, Golden Gloves boxer and helicopter pilot.
This project by producers Paul Marsteller and Gabriel Rhodes is an admirable tribute to pre–World War I popular music. Each singer is accompanied only by instruments from the song’s period. Richard Thomson’s sly baritone curls around “The Band Played On” like a handlebar mustache, while Graham Parker tackles “The Flying Trapeze” with saloon-and-sarsaparilla panache.
The latest six-song effort by Beki Hemingway—a distant relative of Ernest—finds her in fine voice, singing with a poised balance of tough and tender. And she has an able partner in husband-guitarist Randy Kerkman, who coproduces this disc.
This soot-dark smear across the brow, between the eyes, will lead you, if the way be clear, through all the endless winter of our year, toward an elemental table, the tears and savage hubbub of that agonizing garden, the treacherous courtyard, hilltop, nails and spear, the cry, the dark descending fear, and then another garden with a cave and such an austere emptiness will fill the rest of history with clear resounding alleluias.