Here are choral works by a teenaged Felix Mendelssohn, including large-scale settings of the Magnificat and Gloria, along with some shorter works. The influences of Bach and Haydn are evident in the early work of the composer, who would go on to write Elijah and St. Paul.
Dave Bazan, Curse Your Branches. Bazan’s confessional songwriting is dark and intense, but his impeccable craft makes it a pleasure. Bazan has put out album after album (many as Pedro the Lion) of precisely described internal turmoil set to spare rock and roll—with delectable pop hooks, here more confident and lilting than ever.
His black-dyed hair, shaven at the base, was pulled up into a bun pierced by thin black sticks. All of his clothing was black: an ankle-length skirt accompanied by a zip-down leather vest with fishnet sleeves.
Back before pop diva Lisa Loeb became a household name, she and Elizabeth Mitchell performed together at Brown University. While Mitchell didn’t achieve Loeb’s fame, she possesses no less talent—and on her album for children, You Are My Little Bird (Smithsonian Folk ways), she demonstrates how the simplest music-making can be the most moving.
Saw two eagles swirling and dogging each other Over the river yesterday—courting or fighting— And not even the most veteran and experienced Observer could ever tell which it is they were at. There’s some deep crucial true thing to say here About loving and fighting, yes? You feel it too? But I am not quite sure what it is. All I can do is Point to the two eagles and say see what I mean? That’s what a poem is, it seems to me; a poem is A way to point at something we get but can’t say. So there are the eagles saying something graceful And painful and amazing. What is it? Exactly so.