When Arcade Fire won a Grammy for album of the year, Win Butler came to the podium clinging to his identity as one of
the band geeks. "We're gonna go play another song because we like
music"—just in case anyone had forgotten about the music after Lady Gaga emerged from an egg,
Katy Perry swung from the ceiling and Gwyneth Paltrow danced on a piano.
It's a truism that Christianity lives and breathes as much
(or more) through music as through preaching or teaching, to say nothing of
dense theological texts--so Christian preachers and teachers should be on the
lookout for ways to incorporate the great hymns of the tradition into our
sermons, lessons and other theological work.
As a church musician, I've been known to program what I thought were familiar Charles Wesley hymns, only to find my non-Methodist song leaders tongue-tied by the ambitious melodies and all-doctrine-all-the-time words. When I have a week off and visit an Episcopal church, the Hymnal 1982's Arthur Sullivan tunes make my mind wander to operetta.
This new band's sound has roots in the indie-folk scene, with its moody treatments of simple chord progressions and Americana rhythms. But the larger thread here is classic pop, and The Head and the Heart offers the complete feel-good package.
Alt-country is typically traced to Uncle Tupelo, but the early '90s Jayhawks made better records. Where Uncle Tupelo found scrappy affinities between traditional Americana and punk, the Jayhawks brought '70s country-rock to the alt-rock '90s.