I like the energy and talent in our praise group, but invariably I'm the one who asks if the bass player could turn
down his amp. I've also been known to ask if we could sing more songs that let
Jesus down off of the cross.
I was in Nashville with colleagues, and a few of us had made our way to the Bluebird Cafe, which might be called the mother church for country music songwriters. A quartet of men and women sang and played guitar for about 80 people from 9 p.m. to around 11. The music was beautiful, and I wandered out of the café with the honest testimonies of human nature and destiny stirring within me.
My neighbor scrapes old paint from the fence around his pasture, an annual chore he attends to, for he knows the white he applies revives each slat. I think of his recent essay, peeling back the layers, as he said, of online education, revealing a barren base devoid of the body’s subtle gestures— how a screen cannot replicate confusion written on a brow, engagement flashing in the eyes, or a hand touching a shoulder. How a cursor cannot translate the voice’s inflections, nuanced as the nod of his head, greeting me, while he lays down his tool to rub my dog’s ears, while he motions toward the remaining wood, tells how he’ll finish the job before winter.