As the epitome of vocal cool and confidence, Frank Sinatra ruled the Las Vegas strip for more than two decades. This compilation draws on four of his best performances there between 1961 and 1987. In a 1966 recording, Old Blue Eyes is at his Rat Pack best on "I've Got You Under My Skin," with growling backup from Count Basie and his orchestra.
With the recent resurgence in the Four Seasons' popularity thanks to Jersey Boys, it's an apt time to rediscover Cannon (born Frederick Picariello), another East Coast Italian-American who worked with Four Seasons producer Bob Crewe.
When he's not backing up Wilco members on their solo projects, singer-songwriter Morgan Taylor makes sparkling kids' music, drawing comparisons to adult artists from Bread to the Beatles. Taylor sings about characters like a frisky eel that dresses in a wardrobe of single socks ("Slim Gets in 'Em").
With roots stretching back seven decades, the Blind Boys of Alabama still chug along, aided here by a host of country luminaries, including Vince Gill ("Can You Give Me a Drink?") and the Oak Ridge Boys ("Take the High Road," which pairs majestic vocals with laid-back twang).
So, I didn’t latch onto a holy word and go into space and, ethereal, lose touch with my body. But God, in those thirty slow minutes, you unfolded in me the bud of a fresh flower, with color and fragrance that was more than my soul was capable of, on its own.
. . . We all, with unveiled face, behold as in a mirror the glory of the Lord.
And when the peony showed up, I knew it as a kind of mirror. This was glory in pink and cream, with a smell of heaven. Petals like valves opening into the colors of my heart.
I saw myself kneeling on a grass border, my knees bruising the green, pressing my face into the face of this silken, just-opened bloom, and breathing it, wanting to drown in it. Wanting to grow in its reflected image.