In a formidable jazz town like Chicago, musicians who populate the club scene one night grace the world's concert stages the next. Two new projects feature three of the city's best: drummer/percussionist Tim Daisy, clarinetist James Falzone and cellist Fred Lonberg-Holm.
As the epitome of vocal cool and confidence, Frank Sinatra ruled the Las Vegas strip for more than two decades. This compilation draws on four of his best performances there between 1961 and 1987. In a 1966 recording, Old Blue Eyes is at his Rat Pack best on "I've Got You Under My Skin," with growling backup from Count Basie and his orchestra.
First portions to my husband, then the boys. I eat what’s left behind, grow willowy, more like a girl than I ever was.
My clothes curtain, I think of cutting the excess to sell, for what? There’s nothing left in this town, we are the only harvest to ripen white in the wind.
My husband says sometimes God allows pain to cause us to move. I pack our things.
The last cow to calf was three springs past, and now I boil its bones to make broth.
Naomi’s sojourn Ruth 1:1
The grain fled from our hands. Harvest brought no yield. Each day turned to us—empty faces, empty faces, and our sons’ mouths gaped wider. My fat of childbirth negotiated to rib, our children’s bellies bloat. I cut the oil by half and by half til we are eating water, some dirt. Hunger becomes the greater God; it gnaws us like a bone. We leave our home.
What they say of you, they say of me, the girls you were a girl with, the men you did not choose, I will not choose. I will carry what you carry, like a child, on my hip that has never born a child, heavy as a child who will not follow your voice. Your home built of sorrow will be my sorrow, the wasp pressed against the inside of the pane, my pane, the slackening of your skin, loosened skin around the eyes, will be my loosening, your hair gone colorless will be my own lack of color. Your cup of bitter waters is my cup of bitter waters and together we will drink it, until the bowl has gone dry as a skull.