With roots stretching back seven decades, the Blind Boys of Alabama still chug along, aided here by a host of country luminaries, including Vince Gill ("Can You Give Me a Drink?") and the Oak Ridge Boys ("Take the High Road," which pairs majestic vocals with laid-back twang).
Why don't more people listen to Ron Sexsmith? The critically acclaimed singer-songwriter crafts masterful pop songs, records them with topflight producers and sings them in an understated croon. Unless you hate music that makes you smile, what's not to like?
Wanda Jackson may be the queen of rockabilly, but Jack White is king of this collaboration. The roots-obsessed producer takes charge, offering a high-octane reimagination of various '50s styles. But where White's work on Loretta Lynn's Van Lear Rose (2004) came off as reverent and almost subtle, here 73-year-old Jackson's presence seems like an afterthought.
A curving trail—the callused field obscures it until we shovel out the clotted brick, lug a ton or two of sand to fit trenches, level rumpled earth, correct courses. A mallet stuns a thumb, new blisters bud as self-impressed we shout, “This row is done!” but then a kid names names, prefers George Toad, Kate Cricket, slaps William Mosquito, pats Barkly, unleashed, our best company. We rest and share cold drinks. David brings homemade muffins, burned, blueberry plenty. Sun flickers around us, summer’s wings. Yet sand, we need more sand! Deer watch from trees while we adjust the pathways on our knees.