Steve Martin’s novelty song “King Tut” contains the line “could’ve won a Grammy.” Now this disc by the actor-comedian is indeed Grammy nominated, in the bluegrass category. A deft banjo picker, Martin gets A-list help from Paul McCartney (who takes the lead vocal on “Best Love”) and the Dixie Chicks (who sing lovely, tight harmonies on the ballad “You”).
Bob Dylan released his first album 50 years ago this week. That
self-titled debut is not the Dylan record anyone listens to most--it
includes only two original tunes--and as Andy Greene details, it was not a smashing success. But it opened the door for Dylan to come back just months later and record The Freewheelin' Bob Dylan, which propelled Dylan's staggering career.
Watching this 16 mm footage—lost for 50 years—in its black-and-white glory is a revelation. The goosebumps begin the second Charles and his band (featuring David "Fathead" Newman on sax) fire up the head-boppin' riffs and rhythms. The eight-piece band nails "One Mint Julep" (though without music stands—they have to use chairs to prop up their sheet music).
On his first album since 2008, Sweet employs vinyl in the mastering process to sweeten the sound—a sign of his '60s-pop infatuation. Fans of Girlfriend-era Sweet may wish that this record rocked more; others may find its introspection a sign of growth.
There was a shallow moss gray basin set with bunches of grapes. The grapes were chiseled green with the ripeness of their September harvest. There was a pert glazed pitcher, black as obsidian, filled with cold water. There were six linen napkins with red diagonal strips laxly laid by earthenware plates.
But no one sat at the low walnut table. There was no shepherd or mastiff nearby. No, Old Pritchard’s family—bless them!— was casting about somewhere below for his lean body, his cracked bones.