With roots stretching back seven decades, the Blind Boys of Alabama still chug along, aided here by a host of country luminaries, including Vince Gill ("Can You Give Me a Drink?") and the Oak Ridge Boys ("Take the High Road," which pairs majestic vocals with laid-back twang).
Why don't more people listen to Ron Sexsmith? The critically acclaimed singer-songwriter crafts masterful pop songs, records them with topflight producers and sings them in an understated croon. Unless you hate music that makes you smile, what's not to like?
Wanda Jackson may be the queen of rockabilly, but Jack White is king of this collaboration. The roots-obsessed producer takes charge, offering a high-octane reimagination of various '50s styles. But where White's work on Loretta Lynn's Van Lear Rose (2004) came off as reverent and almost subtle, here 73-year-old Jackson's presence seems like an afterthought.
This soot-dark smear across the brow, between the eyes, will lead you, if the way be clear, through all the endless winter of our year, toward an elemental table, the tears and savage hubbub of that agonizing garden, the treacherous courtyard, hilltop, nails and spear, the cry, the dark descending fear, and then another garden with a cave and such an austere emptiness will fill the rest of history with clear resounding alleluias.