Finally, Guy Clark has received a thorough tribute that lives up to his mastery and honors the way he does things: live, spontaneous, without studio trickery to supplant the energy that players create in the moment.
The Minneapolis-based Rundman has built an unlikely career as a scruffy Lutheran rocker, tackling scripture and spirituality with finesse that transcends the vapid Christian rock scene. This disc surveys Rundman’s career from 2000 to the present, with cuts from the 52-song Sound Theology project such as “Carol of the Bells,” which celebrates a cute girl in the handbell choir.
Richard Colligan, a Lutheran church musician, yields two uplifting discs and 30 songs inspired by the Psalms. The overall feel varies from minor-key folk to gospel-tinged rock. It’s anchored by Colligan’s voice, a creamy, sublime tenor reminiscent of Jars of Clay’s Dan Haseltine.
Steve Martin’s novelty song “King Tut” contains the line “could’ve won a Grammy.” Now this disc by the actor-comedian is indeed Grammy nominated, in the bluegrass category. A deft banjo picker, Martin gets A-list help from Paul McCartney (who takes the lead vocal on “Best Love”) and the Dixie Chicks (who sing lovely, tight harmonies on the ballad “You”).
Saw two eagles swirling and dogging each other Over the river yesterday—courting or fighting— And not even the most veteran and experienced Observer could ever tell which it is they were at. There’s some deep crucial true thing to say here About loving and fighting, yes? You feel it too? But I am not quite sure what it is. All I can do is Point to the two eagles and say see what I mean? That’s what a poem is, it seems to me; a poem is A way to point at something we get but can’t say. So there are the eagles saying something graceful And painful and amazing. What is it? Exactly so.