Suzanne Ciani’s work as a synthesizer pioneer dates to the instrument’s infancy, and Lixiviation is a fascinating document that collects both Ciani’s musical compositions and her work as one of the first sound designers.
I'm prone to the occasional rant about how much I dislike the movement folk music of the 1960s—its lack of subtlety, its odd mix of the earnestly humorless and the cornball, its endless verses of repetition. But I love Woody Guthrie, who was born 100 years ago today.
Guthrie was a generation older than the 60s troubadours and a singular influence on many of them, none of whom shared his gifts and sensibilities.
Chicago’s Kenny Haas mixes it up with live storytelling, prerecorded stories and a smorgasbord of musical genres--from polka (“Don’t Let Those Chickens Run Away”) to a capella doo-wop (“Kitty Delight”).
On the cover of Wrecking Ball, Bruce Springsteen holds his iconic Fender Esquire guitar, the same ax he sported on his 1975 masterpiece Born to Run. Back then, saxophonist Clarence Clemons stood to his left, coaxing an impish grin from the young rocker. Now, on his first disc since Clemons’s death, Bruce stands solitary and sullen against a black backdrop.
Most Westerners know Sufi music through the great singer Nusrat Fateh Ali Khan. This digital-download collection introduces six Sufi and Baul/Hindu artists largely unheard outside India. It’s a spellbinding trip into mystical art with a tender heart, showcased in poignant, centuries-old teaching songs about love, humanity and devotion.