Music

Let It Burn, by Ruthie Foster

Ruthie Foster has a powerhouse of a blues/gospel voice, which she never allows to overpower a song. If you’re not sold already, Foster made her newest album in New Orleans with the Blind Boys of Alabama and a cast of hotshot players. It wouldn’t have killed them to restrain the Hammond organ player once in a while, but that’s being picky: the project brings a truckload of soul and grit.

A Wasteland Companion, by M. Ward

M. Ward’s solo albums reveal that he surpasses his more-famous collaborators (Conor Oberst, Zooey Deschanel) on all fronts. His sound has a sepia-toned timelessness; it’s both inventive and a whole bunch of kinds of old-fashioned.

Pull It Together, by Shannon Stephens

On her third album, Shan­non Stephens reins in her chamber-folk experimentalism in favor of a bluesy little band that takes her songs to unexpected places. Her sound remains relatively subdued, yet it grooves and pops and even swaggers.