Those who know Llanas from his time in the BoDeans will recognize his voice: still sharp and tough, yet infused with urgency on the leadoff track “Déjà Vu” and the plaintive rocker “The Best I Can.” On the tender side, “I’m Still Alive” could serve as Llanas’s theme song, given the ups and downs of his former band: “I’m grateful for another day / Another chance to find my way.”
I'm not a big fan of Adele's music, but this week I'm a huge fan of her as a human being.
Bob Geldof was assembling a bunch of celebrities to relive that "Do They Know It's Christmas?" glory 30 years later, but for Ebola this time. Never mind that a lot of people in Europe and North America have gotten a little more self critical in recent decades about things like paternalism, white-savior complexes, and the fact that Africa isn't one big country of backward horribleness.
Peter Himmelman is a rock ’n’ roll anomaly: an observant Jew who has long declined to play any shows on the sabbath. But this serious commitment to his faith gives his songs heft. He’s addressed brokenness, healing, and humility in songs such as “Impermanent Things” and “Mission of My Soul.” And Himmelman has a knack for melding lyrical complexity with catchy melody.
Those who love Bill Evans or Art Blakey will relish this disc, though Stefano Bollani has his own freewheeling improv stamp. Recorded in one day, and featuring guitarist Bill Frisell, Joy pulses with live energy. Bollani pilots his piano with sophisticated trills, rolls, and riffs.
Christ knows how we loved her. Now there’s just that field Where the light is still Blown like a first leaf. It is a fir tree. There is only one life On earth. Love must be here, And dying. Everything must be here. One summer she watched the grass. In the afternoon we sit in the car By moving water. She shuts her eyes. She will live forever. If I must go Let it be like this River with a woman watching it. Already There is nowhere that river is not.