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Lloyd Rediger's "clergy killer" premise is, in some senses, indisputable. Yet put so baldly, the kvetch seems odd.
Joss Whedon's adaptation of Much Ado About Nothing is an enchanting modern take on the 16th-century romance and a nearly perfect movie.
The Americans is more than a spy show. It explores how a hidden identity is hard to nourish—and an identity embodied in habit is harder to disavow.
Star Trek has long been insistently nonreligious. But in the end it has not replaced religion, just repurposed it.
Arrested Development is back, and family dysfunction is on display. But family may also be the characters' chance to break free from paralyzing narcissism.
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