I’ve never seen a film that translates grace to the screen like Babette’s Feast. As one of the rare films that focuses on the lined and battered faces of real people Babette’s Feast challenges viewers to love real life. The film embraces God’s love for the embodied, the ordinary and the value of the extraordinary, and a love that wastes nothing.
In her media column for the Century last month, Kathryn Reklis, a theology professor at Fordham University, wrote about the many times a day that social media asks her to watch a video and feel something. “You too will cry after watching this . . . 90 percent of people cry,” the Facebook post tells her. She argues that, while kitschy, these videos contain the power of shared feeling, and shared feeling is a step toward empathy and a further step toward compassion—and so, in essence, a social good. I am not sure I agree.
If you’ve heard of The Fault in Our Stars, the recently released movie based on John Green’s bestselling book, you’ve probably heard that it’s about teenagers with cancer. And while this is true—the main characters, Gus and Hazel, meet in a teenage cancer support group—one of the movie’s greatest triumphs is not letting the characters be defined by their cancer.