Though only the second feature by the Australian director Sue Brooks (and the first to open in this country), Japanese Story is an almost perfectly calibrated small work, like a finely shaped short story. About the serendipity of crossing paths with a stranger, it’s a sort of companion piece to Lost in Translation, but with an entirely different tone.
Robert S. McNamara, the focus of The Fog of War, an Academy Award–nominated documentary directed by Errol Morris (The Thin Blue Line), served as secretary of defense under the two presidents who took the U.S. into Vietnam—John Kennedy and Lyndon Johnson.
Before the advent of drug traffickers and serial killers, films often focused on conflicts over real estate. Think of the red dirt of Tara in Gone With The Wind, the stately mansion in The Magnificent Ambersons or the contested open plains in Shane. Property is also the focal point of House of Sand and Fog, based on the 1999 novel by Andre Dubus III.
Are you really? Underneath the snows of winter, do you blossom on and on? Do the pocket gophers crave you, tunneling beneath that blanket, pray to enter your secret chambers, rest inside your open gates?
I see your flowering, fruiting clusters, hanging on into October, leaning into the open path, making way, ushering whatever is holy into the presence of things that stay.