Film

Film

Undefeated

Directed by Daniel Lindsay and T. J. Martin

Undefeated is a solid piece of filmmaking that is also too little too late. The Oscar-winning documentary by Daniel Lindsay and T. J. Martin concerns the travails of a high school football team in a poor black neighborhood of North Memphis that overcomes years of futility thanks in large part to a white volunteer coach who inspires them to believe in themselves both on and off the field.

Albert Nobbs

Directed by Rodrigo Garcia

Albert Nobbs's journey from page to stage to screen has been long and bumpy. Simone Benmussa adapted a short story by Irish writer George Moore into the play The Singular Life of Albert Nobbs; this was then nearly made into a film by the celebrated Hungarian director Istvan Szabo. The fact that the project was still alive and kicking in 2011 is due, in large part, to the determination of Glenn Close.

Man on a Ledge

Directed by Asger Leth

Man on a Ledge is a nifty little entertainment about an ex-cop (Sam Worth­ing­ton) framed for stealing a diamond owned by a ruthless magnate (Ed Har­ris). He escapes from custody and stages a suicide threat on the window ledge of Harris's hotel as a diversion while his allies break into his accuser's vault to prove the theft was a hoax.

The Girl with the Dragon Tattoo

Directed by David Fincher

David Fincher's film of The Girl with the Dragon Tattoo should please fans of Stieg Larsson's Millen­nium Trilogy. Fincher and his screenwriter, Steven Zaillian, remain faithful to the complicated plot of the trilogy's first book, and they reproduce most of its many characters. In truth they improve vastly on their source material.

Carnage

Directed by Roman Polanski

Carnage plays out entirely in a New York City apartment, where two couples are trying to deal with a playground incident involving their 11-year-old sons, one of whom struck the other in the mouth with a stick. In the process, the film—directed and coscripted by Roman Polanski, based on Yasmina Reza's play God of Carnage—peels back the skin of each supposedly caring parent, revealing the person beneath the civilized facade.