It takes a tremendous amount of delicacy and tact to pull off a movie
about 9/11 without making the audience feel it's been strong-armed.
Stephen Daldry's Extremely Loud and Incredibly Close, based on the Jonathan Safran Foer novel of the same name, puts you through the wringer.
Undefeated is a solid piece of filmmaking that is also too little
too late. The Oscar-winning documentary by Daniel Lindsay and T. J.
Martin concerns the travails of a high school football team in a poor
black neighborhood of North Memphis that overcomes years of futility
thanks in large part to a white volunteer coach who inspires them to
believe in themselves both on and off the field.
Albert Nobbs's journey from page to stage to screen has been long
and bumpy. Simone Benmussa adapted a short story by Irish writer George
Moore into the play The Singular Life of Albert Nobbs; this was
then nearly made into a film by the celebrated Hungarian director Istvan
Szabo. The fact that the project was still alive and kicking in 2011 is
due, in large part, to the determination of Glenn Close.
Man on a Ledge is a nifty little entertainment about an ex-cop
(Sam Worthington) framed for stealing a diamond owned by a ruthless
magnate (Ed Harris). He escapes from custody and stages a suicide
threat on the window ledge of Harris's hotel as a diversion while his
allies break into his accuser's vault to prove the theft was a hoax.
There was a shallow moss gray basin set with bunches of grapes. The grapes were chiseled green with the ripeness of their September harvest. There was a pert glazed pitcher, black as obsidian, filled with cold water. There were six linen napkins with red diagonal strips laxly laid by earthenware plates.
But no one sat at the low walnut table. There was no shepherd or mastiff nearby. No, Old Pritchard’s family—bless them!— was casting about somewhere below for his lean body, his cracked bones.