Film

Film

Getting saved

Though it has all the marks of an independent film—a film-school screenplay and production difficulties—Saved! is blessed with an intelligent script and a first-rate ensemble of actors whose characters—though slightly overdrawn—engage Christian faith in believable ways.

The heat is on

Since bursting onto the national scene in 1989 with his celebrated documentary Roger & Me, Michael Moore has gone from being that goofy overweight filmmaker in tennis shoes and a baseball cap to being the resolute voice of the common American. His battles with the powers-that-be have cast him as a modern-day Frank Capra.

Wizard comes of age

In the third Harry Potter movie based on J. K. Rowling’s wondrous series of children’s novels, filmmaker Alfonso Cuarón takes the wheel from Chris Columbus, who steered both of the earlier pictures. It would be hard to think of a director with finer credentials for the job.

Without gods

The summer blockbuster Troy is neither as bad as it might be nor as stirring as it should be. As directed by Wolfgang Petersen (Das Boot), it is an entertaining display of sword-and-sandal heroism via the medium of modern movie technology. But since this is a story about the Trojans, Achilles and Hector, providing a decent adventure story is simply not enough.

French farce

The German occupation of France, a sinister and embarrassing epoch for the French, tends to be treated by them with dutiful solemnity or avoided altogether. Therefore the gleeful irreverence of Jean-Paul Rappeneau and his team of screenwriters in Bon Voyage is refreshing, even liberating.