Film

Film

Make believe

Scottish writer James Matthew Barrie (1860-1937) was a great success during his lifetime, with 40 plays, six novels and numerous works of nonfiction to his name. But he is remembered today for one play only: Peter Pan, or the Boy Who Wouldn’t Grow Up, first performed 100 years ago this December.

The abortion lady

Writer-director Mike Leigh’s Vera Drake is about a real-life figure jailed in England in 1950 for administering abortions. The film’s point of view is pro-choice.

Travels with Che

Road movies provide screenwriters with a built-in structure. It allows them, in the immortal words of the Queen of Hearts, to “begin at the beginning, go on until you reach the end, and then stop!” But what happens when an ending isn’t really the end? Or when the “real” end sends us down a different road altogether?

Winning ways

The primary appeal of sports movies is in the way they combine the drama of competition with other genres—the triumph-of-the-spirit movie, for example, or the coming-of-age story, or the romantic comedy. Even a conventional picture like Miracle (which came out early this year and is now available on DVD) or Mr.

One of the boys

Jacob Aaron Estes’s debut feature is being marketed as a Columbine-era fable about a bully who gets his comeuppance. But the film works on levels far more precipitous and challenging.