In the weeks leading up to May 21, 2011, young filmmaker Zeke Piestrup asked radio-show host and apocalypse predictor Harold Camping if he could accompany him in the final days of the world. Piestrup was not a believer, and he planned to make a film about Camping’s apocalyptic prediction. Still, Camping welcomed him as a companion.
Viewers don’t look to James Bond movies for profundity. Mostly they go to see buxom babes (now brainier and badder) and gravity-defying vehicle chases. But the most recent Bond installment offers some pertinent comments on technology.
This low-key, intimate Canadian film is in danger of passing by unnoticed. An anatomy of two relationships—a marriage and a courtship that overlap—the film is excitingly fresh and unconventional, and one of the few bright spots in a dim summer movie season.