Writer Paul Elie says that if there is any portion of our culture which is truly post-Christian it is literature. There are no fiction writers today like Flannery O’Connor, Walker Percy, Reynolds Price or John Updike, who took faith seriously and gave it explanatory power. Faith in fiction is now largely treated as an artifact of the past. Even Marilynne Robinson’s Gilead, which portrays “the most emphatically Christian character in contemporary American fiction”—the Rev. John Ames—is historical fiction, set in the past. “Belief as upbringing, belief as social fact, belief as a species of American weirdness: our literary fiction has all of these things,” says Elie. “All that is missing is the believer” (New York Times, December 19).