Denzel Washington makes his directorial debut in Antwone Fisher and also plays a navy psychiatrist who becomes emotionally involved in the struggles of a young patient. Antwone (Derek Luke) lands in Dr. Davenport's office because he can't stop getting into fights.
In Steven Spielberg's Catch Me If You Can, Leonardo DiCaprio plays Frank Abagnale, the real-life con man whose exploits--posing as an airline pilot, an ER doctor, a lawyer and a college professor--had a nutty, playful, romantic quality.
Even those who fell in love with last year's The Lord of the Rings: The Fellowship of the Ring may find themselves staggered by the sequel, The Lord of the Rings: The Two Towers. It is even wider in scope than the first movie, the filmmaking more thrilling, the emotions higher.
Innocence always calls mutely for protection when we would do so much better to guard ourselves against it: innocence is like a dumb leper who has lost its bell, wandering the world, meaning no harm." So Graham Greene writes in The Quiet American, a novel that plumbs the moral dangers of innocence.
If you knew what was going to happen to you in the morning, you'd never get out of bed," declares Phil (Timothy Spall) early in Mike Leigh's All or Nothing. Phil, a cabbie, does have a hard time rousing himself in the morning, so his workday is truncated.
Hollywood used to be highly efficient at turning out enjoyable melodramas, but that hasn't been the case for such a long time that White Oleander feels like an anomaly. It's a film about the struggles of a teenage girl against unreasonable odds--a mother who's a convicted murderer, and a series of foster homes, each of which poses its own set of challenges.
On January 30, 1972, the Civil Rights Association of Derry organized what was meant to be a peaceful march protesting the British violation of civil liberties in Northern Ireland. The protest was led by Parliament member Ivan Cooper, who wanted the march not only to express nationalist feelings but to prove to England that those sentiments could be expressed without bloodshed.
The world Hayao Miyazaki conjures up in the Japanese animated feature SpiritedAway is so exotic and in a state of such constant metamorphosis that you may have the impression, as you stagger out of the theater, that you've watched the entire movie with your mouth open. SpiritedAway runs close to two hours, and there isn't a banal image in it.
The complicated novel Possession by A. S. Byatt is a double-tiered romance and a literary brainteaser. Like John Fowles's The French Lieutenant's Woman or Tom Stoppard's play Arcadia, the two works it most resembles, the novel seesaws across two centuries. Roland Michell and Maud Bailey are late 20th-century British literary scholars.
Unstinting in its language and unembarrassed about explicit discussions of sex, Darren Star's Sex and the City, now in its fifth season on HBO, is also television's most dazzling example of high comedy.
At the center of Lovely and Amazing is a dysfunctional family of mostly women. The mother, Jane (Brenda Blethyn), a lonely divorcée, is preparing for liposuction at the hands of a handsome surgeon (Michael Nouri). Her eldest daughter, Michelle (Catherine Keener), makes crafts she can't sell.
In a charming fantasia on how the last years of Napoleon's life might have gone, The Emperor's New Clothes—an adaptation of Simon Leys's novella The Death of Napoleon—features a Bonaparte who plots a daring escape from St. Helena. He plants a double, a sailor named Eugene Lenormand, in his place while he steals back to Paris to reclaim his power.
As played by the remarkable actor Ryan Gosling, Danny Balint is one of the most unconventional and compelling characters on the screen this year. In TheBeliever, Danny is a brilliant, charismatic young man who denies his Jewish parentage (he claims Balint is a German name), joins a crew of neo-Nazi thugs and rises to the forefront of a fledgling fascist organization.
Grimly purposeful, with barely a shadow of humor, Insomnia is one of those post-Seven thrillers that's so puffed up with its own importance that it doesn't feel it has to bother to be entertaining. The Hillary Seitz script (adapted from a 1997 Norwegian movie of the same name) focuses on Will Dormer (Al Pacino), an L.A.
Nick Hornby's novel About a Boy brings together Will, a wealthy 30-something bachelor, with Marcus, a 12-year-old who's alienated at school and miserable at home, where his depressed single mother attempts suicide. The idea is that Will, a big kid himself, can instruct Marcus on the basics of how to be a teenager.
The lyrical road comedy Y Tu Mamá También ("And Your Mother Too") suggests what one of those fraudulent the-summer-I-became-a-man movies might be like if it were made by someone with imagination and sensitivity.