Here’s the thing about Jürgen Moltmann. Almost everything he says, you feel you’ve read somewhere before. Now there could be two explanations for this. One, that he’s a creature of fashion: that, like everyone, he speaks out on the environment; on the analogy between the discourse on human rights and the relation to soil, sea and sky; on justice for the oppressed; on God’s coming future. Or two, that he’s a creator of fashion.
Of the rewriting Christ and Culture there
shall be no end. Miroslav Volf is too sophisticated a theologian to
rehash or imitate H. Richard Niebuhr's celebrated fivefold schema, but A Public Faith remains in the shadow of Niebuhr's defining work.
I'll be giving Christianity and Contemporary Politics to my graduate students and others seeking to become authors and academics. It is a model of the kind of book a scholar should be looking to write.
Head out on a tour of the castles of medieval Europe and you'll quickly catch on to a castle's three key features. What you see first is the bailey—a large area surrounded by a substantial wall where most of the population lived and most of the life of the community was conducted.
The first Sunday of Lent is the best time of the year to talk about sin.
Many people in the church, especially the mainline church, are stuck when
it comes to the overlap of sin and sensuality. No one really wants to be
the pastor who comes over all judgmental about sex.
If you've ever changed a diaper, you know that when the baby has a diaper removed, especially a cloth one, there's usually a rush of energy, often laughter, and a convulsion of kicking and rolling and sheer exultation in the freedom of having legs set free from the bondage of damp and sometimes soiled cloth. Babies have no problem with nakedness. It's a relief.
There isn't a tidy way to write about forgiveness. It's the whole gospel, for sure. But you've got to deal with the sin that preceded it and the damage that won't go away no matter how much reconciliation follows it. You've got to deal with the stop-start nature of relationships, the silence and paralysis of pain and shame, and the fact that we fail at least as much as we succeed.
Theology sits precariously between two precipices. On one side is a sharp drop called “Too heavenly minded to be of any earthly use.” On the other side is an equally sharp drop called “Speaking about humanity in a loud voice.”If these precipices endanger theology in general, they are particular hazards for the branch of theology known as anthropology. David Kelsey is sure at every step to avoid the second danger. His magisterial two-volume theological anthropology offers an exemplary approach to avoiding it.