disciples were obviously astonished to see Christ in glory," said our pastor. He was prepared for questions about the Transfiguration. Instead, one first grader asked, "what does 'obviously' mean?"
If reception of the new translation of the Roman missal is as generous as it should be, the
period of adjustment will be a chance to rediscover the shape of the
liturgy and the essentials of Christian belief and hope.
Early modern versions of the argument from design relied upon a simple analogy: the universe looks like an artifact, which implies a maker. But as David Hume pointed out, one would need experience observing universes being made to judge that the analogy holds true.
I’ll always remember the day last July when John Henry Newman’s beatification was announced. My family and I were en route to Heathrow Airport, barreling along in a van driven by my fearless godmother, who had promised we would not miss our plane. Her mobile phone signaled a text message, and from where I was sitting, clutching my seat, I had the chance to read it aloud.
T. S. Eliot once declared—and I agree—that the greatest philosophical poem next to the Divine Comedy is the Bhagavad Gita (“Song of the Blessed One”), the most widely revered of the sacred texts of India.
Having lived in the town of Jonathan Edwards and his grandfather Solomon Stoddard for some 20 years, I’ve come to feel a kinship to the 17th- and 18th-century Puritan divines—as if they were relatives who somehow got left off my family tree.
It is by living and dying that one becomes a theologian, Martin Luther said. With that comment in mind, we have resumed a Century series published at intervals since 1939 and asked theologians to reflect on their own struggles, disappointments, questions and hopes as people of faith and to consider how their work and life have been intertwined.
Remember Gomer Pyle, the hapless and saintly TV marine? His philosophical lexicon was limited, but it included two all-purpose expressions: Surprise, surprise, surprise! and Shame, shame, shame! The first of these expressions, along with Golly! and Shazam! expressed Gomer’s childlike sense of wonder.
My mother studied painting at the New York Art Students League with Joseph Solman, the American artist who died last year at age 99. Solman was briefly a member, along with Mark Rothko, of an artistic vanguard known as The Ten, which in the 1930s rejected the literalism of American art and championed expressionism.
Dear Father Anselm: It’s been 900 years since that dawn of April 21, Wednesday in Holy Week, when you fell asleep in Christ. You may be surprised to learn of the fuss that is being made about you, with major conferences in England, Italy and New England, and glasses raised wherever Christian philosophy is prized.
I’m not a great fan of limericks. By a curious accident, however, we have on our living room wall an original autograph letter—itself a limerick, answering a request for a limerick—by one of the great limerick makers of the last century, the English priest and writer Ronald Knox:
There are times when the world, instead of being the solid stage on which we conduct our affairs, instead of enveloping us in its massive givenness, seems to totter at the cliff’s edge. The news announces financial meltdown, the friend who seemed forever young dies, the best plans and provisions crumble. What does the future hold?
Pauline Baynes died on August 1 at the age of 85—one more light gone out from the golden age of children’s book illustration, an age that gave us Arthur Rackham’s fairies, Edmund Dulac’s Cinderella, Beatrix Potter’s spirited rabbits and E. H. Shepard’s Toad and Pooh.
The new atheist movement has reached its high-water mark, and there are signs that it is starting to recede. Wishful thinking, you say? Aren’t there more and more antireligious tracts on the bestseller lists? Aren’t these writers terribly clever? Perhaps so, yet somehow they fail to capture the imagination.
Hell is talked about cautiously, if at all, in mainline churches. Yet the notion of a divinely ordained place of punishment for the wicked after death is deeply embedded in the Christian imagination. How should we think and talk about hell? Why don’t we talk about it? We asked eight theologians to comment.