We've enjoyed having Adam Copeland around as a regular blogger for the last several weeks, so we've invited Julie Clawson to do a similar stint from now till Christmas. A seminarian at present, Julie has experience as a children's pastor and as a church planter.
Reign of Christ Sunday is not
the most approachable lectionary theme. Should the focus be on the reign or the
one reigning? Should preachers assume each year that most people have no idea
why the feast exists? Is there a case for just glossing over it, preaching on
whatever suits you, and getting on with Advent?
In the right-hand sidebar of our main
blog page there's a feature called "Links from the Editors." This is where
we post interesting things we've come across elsewhere and want to share, but
without writing a whole blog post about them.
I've always been ambivalent about Halloween. When I was
little, my sisters and I dressed up and went trick-or-treating, but we weren't
allowed to wear scary costumes. (Or rather, nothing supernatural and scary--my sister's Raggedy Ann getup [left] screams
Minnesota's Democratic-Farmer-Labor Party recently sent out
a pair of direct mail ads against Republican state senate candidate Dan Hall.
Both ads refer repeatedly to him as "Preacher Dan Hall." One
(pdf) shows a man in a clerical collar wearing a pin that says, "Ignore the
poor." The other
(pdf) features an elaborate, old-fashioned angel holding a banner: "Blessed are
I agree with a lot of Cathleen Falsani's piece
on The Social Network, in which she
praises Facebook's capacity for reconnecting real-world friends and reinforcing
existing community. But she loses me when she suggests this is the site's purpose.
Mary Valle, who recently heard of the Christian flag for the first time, I
grew up pledging allegiance to it at school. In 1897, a Sunday school superintendent
in Brooklyn was discussing with students the symbolism of having a U.S.
I've never liked show choir, but I love Glee. Not primarily for the singing or dancing, though each is sometimes great. I like the show because it gets a lot right about being a teenager—the weird mix of intense emotion and casual pettiness, the hairpin turns of identity creation in process—without getting bogged down by studious realism.