The other day I left the office around lunchtime and walked over to the Occupy Chicago gathering outside the Board of Trade. At the corner waiting for the light to change, I stood next to a protest drummer who fit the stereotype well: unshorn, unkempt and not much over 20.
If you haven't been following the conversation around Occupy Wall
Street, it's perhaps best summarized in terms of the Tumblrs.
First there were the 99 percent, who have been demonstrating in
New York and elsewhere for weeks.
I don't normally go for gotchas based on political candidates'
rambling improvisations. But this one is hard to ignore: when Herman Cain
appeared on Piers Morgan this week,
he first told Morgan that he's opposed to abortion in all circumstances.
I'm a big fan of The
Conversation, the New York Times online
feature in which Gail Collins and David Brooks have a casual chat. I think the
appeal is supposed to be that the two are reasonable, amicable and witty
columnists who clearly like each other a lot. That's all nice, but what I enjoy is the palpable pleasure the
hilarious Collins takes in needling the less intentionally hilarious Brooks.
Last week, Faith in Public
Life asked Rick Santorum if he agrees with the Catholic teaching that public
policy should include a "preferential option for the poor." He appeared to be
unfamiliar with the concept.
The McGarrigle sisters (Kate died of sarcoma last year) were more successful in their native Canada than in the States, but they were deeply admired by those who covered their songs: Emmylou Harris, Linda Ronstadt, Maria Muldaur, Kate's son Rufus Wainwright.
While it's hard to imagine many pop artists signing up to
write a song cycle based on the history of classical music, for
Amos—whom Deutsche Grammophon approached with this idea—the project
seems almost inevitable.