A dying parishioner of mine didn't care about the church budget or the
sexual orientation of the choir director. He just wanted help finding a
faith to carry him through a life that'd been full of interruptions.
Eating at my city grandmother's table was a chore. I remember being dressed up, speaking in soft tones
if at all, and being terrified of spilling on that lace
tablecloth. But my country grandma served her meals in the kitchen.
She is foggy, struggling to find the old gifts of conversation. But she knows me, I think. I
tell her all of the reassuring things that pastors say in such a
setting. "The Creator who has watched over you all of the days of your
life is now holding you in those sacred hands." She smiles and
struggles to respond with words I barely understand.
I noticed a disheveled and unshaven man in his early fifties a few barstools down from me. Something about him seemed uninviting. Soon an attractive 40-something woman arrived in a crisp little black dress and perched on the stool next to him. She seemed nervous.
Martha Tidwell sat before me wearing a blue pants suit and a weary face. Four years ago she left her high-paying job as an accountant after having discerned, with her church’s help, that she was called by God to begin the process of becoming a pastor. Her husband, Ted, was supportive and quit his job as well so that they could come to Pittsburgh to begin her studies.
When Moses is on Mount Sinai he offers the gutsiest prayer of all time. I’m in awe of it because it doesn’t sound at all pious; it sounds like an argument. The Lord says, “Your people, who you brought out of the land of Egypt, have acted perversely. . . . Now let me alone, that my wrath may burn hot against them.”
Eugene Peterson writes often and clearly about spiritual theology, which has helped greatly to define a discipline that can be vague and fuzzy. He did this particularly well in his previous book, Christ Plays in Ten Thousand Places.
Tom walked into my office looking glum. He tossed his backpack on the floor, fell into a chair by my desk, sighed, and then rummaged through his bag for the registrar’s form. Tom is a first-year seminary student, and I’m his counselor. We walked through the courses he would be taking, most of them part of our core curriculum. Tom’s lack of enthusiasm was screaming at me. Finally I took the bait: “So, Tom, what’s the matter?” His hands went up in the air as he shot back, “What’s the deal with all of these required courses? When do we get to study things that are relevant?” Ah, I thought, the old “Let’s make thousands of years of inherited tradition relevant to me” argument. I’d just had a similar conversation with a woman in the congregation where I serve, who wondered why we repeat the “same old creed” each Sunday.
Jean sits down with the rest of the committee members, and the meeting gets started. She's in her familiar light blue cashmere cardigan sweater, her reading glasses hanging from a thin black woven cord around her neck, her gray-streaked hair pulled back into an efficient bun. She is as proper as always. But tonight her face is completely blank, as if she doesn’t dare reveal anything. She says nothing. “What’s up with Jean?” I wonder.
It had been almost three months since I made a pastoral call on Jack Matthews, who is one of our elderly parishioners now living at Pittsburgh’s West minster Residences. He mentioned this to an elder, who might have said something to a few other church members.
In a time when people are profoundly confused about fundamental identity issues and desperately trying to construct life as best they can, it is critical that pastors recover the poetic dimension of their ministries. What the congregation needs is not a strategist to help them form another plan for achieving a desired image of life, but a poet who looks beneath the desperation to recover the mystery of what it means to be made in God’s image.
Early on Easter morning, some women from Galilee went to the tomb where they had left Jesus. They came because they had been up all night, as people in grief often are, and because it is somehow easier to grieve at the grave site.